<?xml version="1.0" encoding="UTF-8"?>
<urlset xmlns="http://www.sitemaps.org/schemas/sitemap/0.9" xmlns:image="http://www.google.com/schemas/sitemap-image/1.1" xmlns:xhtml="http://www.w3.org/1999/xhtml">
  <url>
    <loc>http://www.dissolvesf.org/issue1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-08-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1469484099631-4HFI15Q33EPWUG5MOCUS/concrete-texture-wallpaper-2.jpg</image:loc>
      <image:title>DISSOLVE</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/2016/8/5/forward-to-the-first-issue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470413759838-7CYLBS0FGNE9VHSE0SY9/image-asset.jpeg</image:loc>
      <image:title>DISSOLVE - Dissolving Borders</image:title>
      <image:caption>Pixel Painting, 2016. Ryan Johnson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/2016/8/5/-jyoti-arvey</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470780724048-EKKP7UBQGUOHNNXNS06N/image-asset.jpeg</image:loc>
      <image:title>DISSOLVE - Attempt</image:title>
      <image:caption>Photograph: Jyoti Arvey</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470440478176-63TZJ5E68IISY5EE0RSE/image-asset.jpeg</image:loc>
      <image:title>DISSOLVE - Attempt</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/2016/8/3/sosf-kathryn-barulich</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470285667396-OADOC049LWQVX5LPJC9B/image-asset.png</image:loc>
      <image:title>DISSOLVE - S. O. SF!</image:title>
      <image:caption>Linus Lancaster and Frederick Young, Google Bus in Vichy San Francisco, 2016. Image courtesy of Frederick Young.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470285635947-PMVN09QO4OHX0701J36Y/image-asset.png</image:loc>
      <image:title>DISSOLVE - S. O. SF!</image:title>
      <image:caption>Shore to Ship Marconigram sent from Linus Lancaster and Frederick Young to dead dadaists at sea, translated from Morse Code,2016. Image courtesy of Frederick Young.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470285584273-TJQ83FCX4E7XA24ZAVT7/image-asset.png</image:loc>
      <image:title>DISSOLVE - S. O. SF!</image:title>
      <image:caption>Linus Lancaster and Frederick Young, Dada at dive bar getting off from Dada work, 2016. Image courtesy of Frederick Young.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470710189141-XC4ESBZ7I1SAPRLOC3AW/image-asset.png</image:loc>
      <image:title>DISSOLVE - S. O. SF!</image:title>
      <image:caption>Linus Lancaster and Frederick Young, Barge Plans, 2016. Image courtesy of Frederick Young.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/2016/7/20/dissolve-artwork</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1469052565792-SPIU7JI7LWMG8JVRODJN/image-asset.jpeg</image:loc>
      <image:title>DISSOLVE - Dissolve: Visual Poem</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/2016/6/19/juan-pablos-essay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-03</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/2016/6/19/christophers-essay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470779587402-RK0CK2QTCGDHWLNNWINM/image-asset.jpeg</image:loc>
      <image:title>DISSOLVE - Footnotes</image:title>
      <image:caption>Printed acupuncture chart found in Combs’ studio. Photograph: Christopher Squier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470779797677-P9V8NGAXMXCUMYNSRPV6/image-asset.jpeg</image:loc>
      <image:title>DISSOLVE - Footnotes</image:title>
      <image:caption>Athletic trophy found in Combs’ studio. Photograph: Christopher Squier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470779455430-CJEB2HEO5O1AHSX9RENX/image-asset.jpeg</image:loc>
      <image:title>DISSOLVE - Footnotes</image:title>
      <image:caption>Alice Combs, Tropaion, 2015, partly covered by one of her patchwork crazy quilts. Photograph: Christopher Squier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470712932268-S2WFZM67U0OARXH0ZVUO/movementbreak23.jpg</image:loc>
      <image:title>DISSOLVE - Footnotes</image:title>
      <image:caption>Adelita Husni-Bey. Part of the exhibition Movement-Break, detail view of installation at Kadist Foundation, 2016. Results of encounters on pain held with participants. Ink and pen on medical paper. Photograph courtesy of Husni-Bey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470779611846-VX4K2PQEWKX2DH33257U/image-asset.jpeg</image:loc>
      <image:title>DISSOLVE - Footnotes</image:title>
      <image:caption>Poster found in Combs’ studio. Photograph: Christopher Squier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470779912702-TXAPVNF7UOEYTPC7JTZQ/image-asset.jpeg</image:loc>
      <image:title>DISSOLVE - Footnotes</image:title>
      <image:caption>Combs’ studio at the Hella Slingshots building in Bayview. Photograph: Christopher Squier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470780169345-I415AR4LKDKHW9CNHTTV/IMG_3835.JPG</image:loc>
      <image:title>DISSOLVE - Footnotes</image:title>
      <image:caption>Broken chalk hand found in Combs’ studio. Photograph: Christopher Squier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470779830043-RCA2L4RRARBMCHGD5KMB/image-asset.jpeg</image:loc>
      <image:title>DISSOLVE - Footnotes</image:title>
      <image:caption>Shadows in Combs’ studio on a portion of the blueprints used in her piece Plan Backup The … Photograph: Christopher Squier.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/2016/6/19/untitledwork</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470416410048-OJCPY3VGNQSDTHR41K6H/image-asset.jpeg</image:loc>
      <image:title>DISSOLVE - Untitled (Work)</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/category/Photos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/category/Issue+1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/category/Moving+Picture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/category/Collaborative</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/category/Poetry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/category/Studio+Visit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/category/Foreward</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/category/Essay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/category/Interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/tag/Harper+Brokaw-Falbo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/tag/Christopher+Squier</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/tag/Jeff+B.+Johnston</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/tag/Jyoti+Arvey</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/tag/Kathryn+Barulich</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/tag/Juan+Pablo+Pacheco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue1/tag/Jackie+Valle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/trace</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-03</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/trace/category/Reviews</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/trace/category/Footnotes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/trace/category/DISSOLVE+Updates</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/trace/category/Interviews</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-06-26</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/6/26/wood-bill-fultz-will-mantor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-26</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/4/19/something-strange-cca-2017-mfa-mini-film-fest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-04-10</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/4/9/sfmoma-open-call</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-04-09</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/4/7/opening-reception-spread</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-04-04</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/3/31/sf-film-fest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-03-31</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/3/31/olivia-brown-eclipse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-03-31</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/2/24/counterpulse-performance-blessed-unrest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-21</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/2/25/the-black-lives-masquerade</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-21</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/2/20/byob-bring-your-own-beamer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-21</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/2/23/nourish-resist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-16</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/3/16/issue-4-submission-deadline</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-15</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/2/14/dissolve-issue-3-launch-event</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-16</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/1/27/opening-reception-embark-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-01-25</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/2/3/rsf-opening-reception</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-01-25</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/1/6/opening-reception</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-22</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/1/10/open-call</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-22</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/3/1/call-for-curators</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-15</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2017/2/12/call-for-artists</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-22</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/12/15/dissolve-issue-3-submissions-due</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-05</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/12/9/full-moon-in-the-daytime-tyler-eash</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-05</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/12/3/ludovic-duchteau-in-dreamland</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-05</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/12/2/fte-dissolve-issue-2-celebration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-11-16</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/11/9/queer-visual-culture-panel-discussion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-25</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/11/5/open-studios-oakland</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-25</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/10/26/somarts-call-for-applicants</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-16</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/10/31/open-engagement-call-for-proposals</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-16</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/11/4/embark-gallery-simulacra-opening-reception</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-16</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/10/19/rsf-projects-open-call</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-15</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/10/1/save-the-date-rsf-projects</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-01</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/10/29/open-call-southern-exposure</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-15</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/9/21/the-infraordinary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-01</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/9/17/issue-2-workshop</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-09</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/9/9/opening-reception-humor-us</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-07</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/9/9/m-im-home</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-01</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/9/10/above-accents-across-an-exhibition-of-san-francisco-bay-area-artadia-awardees</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-31</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/9/1/sci-fi-art-book-show-hosted-by-adobe-books</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-31</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/8/31/clay-day-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-07</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/8/31/clay-day</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-30</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/9/4/sf-zine-fest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-29</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/9/2/299792458-first-friday-opening</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-25</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/8/27/299792458-second-saturday-artist-talk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-25</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/9/9/jill-magid-the-proposal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-19</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/9/1/event-murphy-cadogan-awards</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-25</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/10/15/residency-kala-art-institute</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-19</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/8/18/grant-southern-exposure</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-19</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/9/1/residency-recology-sf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-19</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/11/11/call-for-proposals-hello-etc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-19</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/9/10/residency-3rd-street-studio-program</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-19</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/9/30/open-call-curators-in-residence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-19</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/9/13/issue-2-submission-deadline</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-19</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/8/14/issue-2-workshop</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-25</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar/2016/7/1/dissolve-launch-party</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-12</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-11-20</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/dissolve-in-the-form-of-a-manifesto-</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479608137741-AJEX52EF29YE1NTCGRFU/dissolve+manifesto600dpi.png</image:loc>
      <image:title>FORM - Dissolve, in the Form of a Manifesto</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/identity-in-the-virtual-forgetmenot-</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479603749553-ZOXEWWPVFL4MO144SJWQ/image-asset.jpeg</image:loc>
      <image:title>FORM - Identity in the Virtual #forgetme(not)</image:title>
      <image:caption>A self-portrait of, or photographic image taken by Hippolyte Bayard of himself, later put on the internet. Drowned man, 1840. Direct Postive Print.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/intermodal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/a-matter-of-style</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479594660275-GBYWS5LFMS4ECVZ8I75X/joan+crawford.jpg</image:loc>
      <image:title>FORM - A Matter of Style</image:title>
      <image:caption>Image of Joan Crawford. Courtesy of the internet.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/clay-days</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843146647-HQD21MPRTEDRSFA7H1FG/image-asset.jpeg</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479842210820-W1RN46MXARI9KR71NVYH/image-asset.jpeg</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>Photograph: Courtesy of Matt Goldberg and Christopher Squier</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843278898-2D2RW6CP2TY4OD6PKMM3/DSC01640.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843306844-EFUH5T07TN0PNY431PKI/DSC01644.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843290228-T0LAYRYI9LQ955P1L0UH/DSC01648.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843299191-GBV3P1LWXVSYBY8DYKA5/DSC01652.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843308909-SJXMY68H4Z4OHJPBYRKZ/DSC01657.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843315817-BHUF1OEYDAOXLWHCATKN/DSC01664.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843318074-YAF2ZKHC9OJTUROL7T8S/DSC01667.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843323980-DJ1WCG1LN15K3T2ISEX3/DSC01668.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843326198-Z12ZYHOGSUJRZZZ38410/DSC01672.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843333042-GV5J3G4XVXW9GIBJDZII/DSC01673.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843335238-ZILH92PP7FL9C0BI40VC/DSC01675.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843343898-XAS3SS2XLDE9EBL6O4PB/DSC01687.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843346957-LMV20GOX5MBJCFKVDS9G/DSC01696.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843354342-H6ZDRJ2GSP40LNJQJGD3/DSC01709.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843360466-V67KMOO0Q96U8PIGJNL9/DSC01721.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479843367280-ERQLHH4OMFAF339ZA18P/DSC01725.JPG</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479842517843-NH9ETOODDL5PCJ2YIKU0/image-asset.jpeg</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479842676628-K5LFCEQD0R5CC0U058KT/image-asset.jpeg</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479842709864-Y7IZXHN7IS0DV0IJU17N/image-asset.jpeg</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479842353020-O2JPKJ0H8JW0AD7FXVTT/image-asset.jpeg</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479842891829-8VQN9U2D9U5CVAM5DM8S/image-asset.jpeg</image:loc>
      <image:title>FORM - Clay Days: An Interview with Matt Goldberg</image:title>
      <image:caption>PHOTOGRAPH: COURTESY OF MATT GOLDBERG AND CHRISTOPHER SQUIER</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/bling-bling-marketing-the-economics-of-diamonds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479450244818-J2S88NNBDRP87VH72YS6/image-asset.jpeg</image:loc>
      <image:title>FORM - Bling Bling Marketing: The Economics of Diamonds</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479450147926-N0NF65NXD4YMZWSSSO3G/image-asset.jpeg</image:loc>
      <image:title>FORM - Bling Bling Marketing: The Economics of Diamonds</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/dreams</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1478915855160-483CCUY1H6IMQ9WY233J/saili01.png</image:loc>
      <image:title>FORM - Dreams</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1478915857007-VQ8G0K32ACM1ZDOQXJF8/saili04.png</image:loc>
      <image:title>FORM - Dreams</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1478915855969-U7YGP2LCS49TZRW3ZZV2/saili02.jpg</image:loc>
      <image:title>FORM - Dreams</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1478915856358-2RP4UXEHMU4T0HUFA4PV/saili03.jpg</image:loc>
      <image:title>FORM - Dreams</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1478915857595-0ESQJQU1ZGNOK5P7AINX/saili05.png</image:loc>
      <image:title>FORM - Dreams</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1478915858198-GSZU2903MVA1O1VSQH66/saili06.png</image:loc>
      <image:title>FORM - Dreams</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1478915858205-WVE7RNJ9JWINZBE7PCZL/saili08.png</image:loc>
      <image:title>FORM - Dreams</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1478915859003-CNZOWMMC8M8XY9QV87OW/saili09.png</image:loc>
      <image:title>FORM - Dreams</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1478915858735-3GQGEJ6U21CVFNZM93PL/saili10.png</image:loc>
      <image:title>FORM - Dreams</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/sunday-sept-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479770121209-UBFIKPBHJGJEODZA9LZY/image-asset.png</image:loc>
      <image:title>FORM - Sunday Sept. 2016</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/carving-nightmares-clark-ashton-smiths-sculptures-within-the-hp-lovecraft-circle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479249052585-5KD6ZKIUSTSV0XFA44WA/image-asset.jpeg</image:loc>
      <image:title>FORM - Carving Nightmares: Clark Ashton Smith's Sculptures within the H.P. Lovecraft Circle</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479418415603-DWMLE3GGMIUUZU87RJ6N/azathoth.jpg</image:loc>
      <image:title>FORM - Carving Nightmares: Clark Ashton Smith's Sculptures within the H.P. Lovecraft Circle</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479418415721-CDZNK1YXF6YPW8I1NQBE/swamp_feeder+%281%29.jpg</image:loc>
      <image:title>FORM - Carving Nightmares: Clark Ashton Smith's Sculptures within the H.P. Lovecraft Circle</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479418415914-154YF5ULKY65HB0PAL3J/tsathoggua_2.jpg</image:loc>
      <image:title>FORM - Carving Nightmares: Clark Ashton Smith's Sculptures within the H.P. Lovecraft Circle</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479418416261-M69LQOVGDV51R8WHURDK/tsathoggua_fa.jpg</image:loc>
      <image:title>FORM - Carving Nightmares: Clark Ashton Smith's Sculptures within the H.P. Lovecraft Circle</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479418416397-DS11AKNHAQ4V3QEQ4KKU/untitled_3.jpg</image:loc>
      <image:title>FORM - Carving Nightmares: Clark Ashton Smith's Sculptures within the H.P. Lovecraft Circle</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479418416684-0SCO6SNN858WFV8KVEKI/untitled_humanoid.jpg</image:loc>
      <image:title>FORM - Carving Nightmares: Clark Ashton Smith's Sculptures within the H.P. Lovecraft Circle</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479418416744-WOSB9H6AFPQ7AZ6JDC3D/untitled_surprise.jpg</image:loc>
      <image:title>FORM - Carving Nightmares: Clark Ashton Smith's Sculptures within the H.P. Lovecraft Circle</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/for-lack-of-a-better-word-saniya-talhouk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1478475292193-42UBNHAXT62OJPLYWE9I/image-asset.png</image:loc>
      <image:title>FORM - For Lack of a Better Word</image:title>
      <image:caption>Saniya Talhouk, For Lack of a Better Word, (in)finite series, 2016. Ink and silkscreen on paper.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/category/Poetry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/tag/Hadar+Kleiman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/tag/Saniya+Talhouk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/tag/Matt+Goldberg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/tag/Christopher+Squier</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/tag/Sim%C3%B3n+Garc%C3%ADa-Mi%C3%B1a%C3%BAr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/tag/Kathryn+Barulich</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/tag/Clarissa+Choy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/tag/Sai+Li</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/tag/Alex+Lilburn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-2/tag/alex+cruse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-02-14</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/foreword-to-issue-3-touch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487036748940-MAAF0G84JEJE4YP9ROSZ/image-asset.jpeg</image:loc>
      <image:title>TOUCH - Foreword to Issue 3: Touch</image:title>
      <image:caption>Martin Roth, Untitled (Persian Rug) at Capital Gallery, December 2016. Photograph by Christopher Squier.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/of-relics-ritual-and-rusty-objects</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487033068864-D13TP6Q7IRBL8HZF5578/IMG_2879.JPG</image:loc>
      <image:title>TOUCH - Of Relics, Ritual, and Rusty Objects</image:title>
      <image:caption>Worn banister at Grammy’s House Co-op. Image courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487032744601-99YK6KUDAOGRQFQ4KLMY/IMG_9473.JPG</image:loc>
      <image:title>TOUCH - Of Relics, Ritual, and Rusty Objects</image:title>
      <image:caption>Polished knob on a gate at the Sibley Volcanic Preserve. Image courtesy of Marshall Elliott.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487032745697-UY5OIP5IN16NN68F9QIQ/sperlinger+castle+stairs.jpg</image:loc>
      <image:title>TOUCH - Of Relics, Ritual, and Rusty Objects</image:title>
      <image:caption>Sperlinger Castle Steps. https://s-media-cache-ak0.pinimg.com/736x/71/5b/0b/715b0ba7eeaf30a1b888d7325a49b2aa.jpg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487018536026-FFCVP9N82EZFUUV0IN01/image-asset.jpeg</image:loc>
      <image:title>TOUCH - Of Relics, Ritual, and Rusty Objects</image:title>
      <image:caption>Selfie. Image courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487033246071-2IDYXKN1YQ33BTJJ6S5Y/6405281_orig.jpg</image:loc>
      <image:title>TOUCH - Of Relics, Ritual, and Rusty Objects</image:title>
      <image:caption>Abraham Lincoln tomb in Springfield, IL. http://www.illinoisinfocus.com/uploads/5/6/3/9/5639843/6405281_orig.jpg?241</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487033255567-VS60TGZPQ5T69MWKX0YL/10102027633_d7f837febd_b.jpg</image:loc>
      <image:title>TOUCH - Of Relics, Ritual, and Rusty Objects</image:title>
      <image:caption>Anton Chekhov statue nose in Tomsk, Russia. https://c1.staticflickr.com/4/3686/10102027633_d7f837febd_b.jpg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487033265458-FQ9H7V0YBJ5IQYDS3B5E/dsc_0736.jpg</image:loc>
      <image:title>TOUCH - Of Relics, Ritual, and Rusty Objects</image:title>
      <image:caption>Juliet statue in Verona, Italy. https://athletesabroad.files.wordpress.com/2014/05/dsc_0736.jpg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487033265948-INBXEW70A07P6M8V1FK2/d92a95b22f70e34499f59f343feeb6f7.jpg</image:loc>
      <image:title>TOUCH - Of Relics, Ritual, and Rusty Objects</image:title>
      <image:caption>Crazy Girls statue in Las Vegas. https://s-media-cache-ak0.pinimg.com/736x/d9/2a/95/d92a95b22f70e34499f59f343feeb6f7.jpg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487033158622-8B9X9GJ4XOB3FG5X1ZQE/image-asset.jpeg</image:loc>
      <image:title>TOUCH - Of Relics, Ritual, and Rusty Objects</image:title>
      <image:caption>Statue of St. Peter, http://1.bp.blogspot.com/-OIi4pqs9AiE/T87-Z8Fh-DI/AAAAAAAAAng/qbNmjkBHs_8/s1600/3.%2Bil%2Bpiede-706986.jpg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487051107647-S7Q7RGM398RAXDBYRGBW/IMG_2961.jpg</image:loc>
      <image:title>TOUCH - Of Relics, Ritual, and Rusty Objects</image:title>
      <image:caption>Image of Combs’ in-progress artwork, with grinding attachments. Image courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487051107818-EAWOHCQG1S407YMQGLAV/IMG_2962.jpg</image:loc>
      <image:title>TOUCH - Of Relics, Ritual, and Rusty Objects</image:title>
      <image:caption>Combs’ polished rail spikes leaning against each other. Image courtesy of the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/if-you-find-this-position-uncomfortable</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487054597266-QLGPJ5RSE3WJIGOC4O1R/image-asset.jpeg</image:loc>
      <image:title>TOUCH - If You Find This Position Uncomfortable</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487054404513-FQ596D59VRVFQDQCB67T/image-asset.jpeg</image:loc>
      <image:title>TOUCH - If You Find This Position Uncomfortable</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487054432533-2NKQHR8E5H9VSRYVGPSR/image-asset.jpeg</image:loc>
      <image:title>TOUCH - If You Find This Position Uncomfortable</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487054210897-P1CJMPHVFZ9SS2IV18YJ/zulfikar+08.jpg</image:loc>
      <image:title>TOUCH - If You Find This Position Uncomfortable</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487054684402-8RVIGZNI4RABTU86EUHL/image-asset.jpeg</image:loc>
      <image:title>TOUCH - If You Find This Position Uncomfortable</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487054615890-BBI9DG2SFXOIUSWSV0CO/image-asset.jpeg</image:loc>
      <image:title>TOUCH - If You Find This Position Uncomfortable</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487054537145-NCM8A0EV0BE6KYI4Z5PL/image-asset.jpeg</image:loc>
      <image:title>TOUCH - If You Find This Position Uncomfortable</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487054187518-83WWUO5MFKSID0TW9DEI/image-asset.jpeg</image:loc>
      <image:title>TOUCH - If You Find This Position Uncomfortable</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/i-am-not-myself</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486857133293-U1JD2CPUMG9BVWAMEQFS/image-asset.jpeg</image:loc>
      <image:title>TOUCH - I Am (Not) Myself: West African Masquerade Tradition and the Construction of the Self</image:title>
      <image:caption>Brooklyn Museum, “Yoruba Egungun Dance Costume,” Digital image, Wikimedia, Accessed January 31, 2017. https://commons.wikimedia.org/wiki/File:Yoruba_Egungun_Dance_Costume_Brooklyn_Museum.jpg#metadata.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486856779960-B6L8FCMSLXF5WFW3NCV5/ncr1.jpg</image:loc>
      <image:title>TOUCH - I Am (Not) Myself: West African Masquerade Tradition and the Construction of the Self</image:title>
      <image:caption>Na Chainkua Reindorf, Reveal||Conceal, November 2016. Cornell University, Ithaca, N.Y.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486857044799-J4DEE4SPOEX4P2F0D5S8/ncr2.jpg</image:loc>
      <image:title>TOUCH - I Am (Not) Myself: West African Masquerade Tradition and the Construction of the Self</image:title>
      <image:caption>Na Chainkua Reindorf, View from inside masquerade. 2016, Ithaca, N.Y.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/seeing-spores</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486857656167-9XM1PWA6PF0JYK5AS1ES/image-asset.jpeg</image:loc>
      <image:title>TOUCH - Seeing Spores: Taken by Odor</image:title>
      <image:caption>Anicka Yi, You Can Call Me F, 2015, The Kitchen (New York), http://thekitchen.org/event/anicka-yi-you-can-call-me-f.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486857688015-X7BETPU9H52PZROHMVWH/image-asset.jpeg</image:loc>
      <image:title>TOUCH - Seeing Spores: Taken by Odor</image:title>
      <image:caption>Anicka Yi, You Can Call Me F, 2015, The Kitchen (New York), http://thekitchen.org/event/anicka-yi-you-can-call-me-f.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486857644675-B5UYPALI5RXC5YMCCC82/image-asset.jpeg</image:loc>
      <image:title>TOUCH - Seeing Spores: Taken by Odor</image:title>
      <image:caption>Sai Li, Museum Daze, image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486857672485-D86Q4RJACLBAGC7TLJRA/image-asset.jpeg</image:loc>
      <image:title>TOUCH - Seeing Spores: Taken by Odor</image:title>
      <image:caption>Anicka Yi, Grabbing at Newer Vegetables, 2015, plexiglass, agar, female bacteria and fungus, 84 1/2 by 24 1/2 inches, The Kitchen (New York), http://thekitchen.org/event/anicka-yi-you-can-call-me-f.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486857701073-43MSL16ZF7HRO8LU9LY2/image-asset.jpeg</image:loc>
      <image:title>TOUCH - Seeing Spores: Taken by Odor</image:title>
      <image:caption>Anicka Yi, You Can Call Me F, 2015, The Kitchen (New York), http://thekitchen.org/event/anicka-yi-you-can-call-me-f.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/digital-intangibility-an-ideology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487035003036-7ZMQJAOHUCNMOZJ2XPMO/Digital+Web+search.png</image:loc>
      <image:title>TOUCH - Digital Intangibility, an Ideology</image:title>
      <image:caption>Google Image search of “Digital Web.” Accessed Sunday, January 29, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487034986778-7G6G5RA5ZE8RMB03M69B/No+Cloud.jpg</image:loc>
      <image:title>TOUCH - Digital Intangibility, an Ideology</image:title>
      <image:caption>“No Internet” sign in Google, courtesy of an iPhone offline.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487035037808-57HEDXBKKG0XYOZ1FOAK/Internet+Cable+Map.png</image:loc>
      <image:title>TOUCH - Digital Intangibility, an Ideology</image:title>
      <image:caption>The Submarine Cable Map charts the routes of underwater cables that make up the internet. It is a free resource from TeleGeography. Data contained in this map is drawn from the Global Bandwidth Research Service and is updated on a regular basis. (http://www.submarinecablemap.com/)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/if-these-gloves-could-talk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486856628861-6C851G5Q4NVOBN1BLOLM/image-asset.jpeg</image:loc>
      <image:title>TOUCH - If These Gloves Could Talk: Park Chan Wook's The Handmaiden</image:title>
      <image:caption>HA Jung-woo and KIM Min-hee in The Handmaiden, an Amazon Studios / Magnolia Pictures release. Photo courtesy of Amazon Studios / Magnolia Pictures.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/surgical-experiments-in-the-medium-of-collage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487037370923-NDNBHFVPIP9UPHFQTUKJ/image-asset.gif</image:loc>
      <image:title>TOUCH - Surgical Experiments in the Medium of Collage</image:title>
      <image:caption>IRENA AZOVSKY, UNTITLED, 2017, DIGITAL COLLAGE WITH CUT OUTS, GLITTER, ACETATE, SHARPIE, AND DIGITAL SCANNER, 9 X 9 IN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486956442090-3KS88HH7F8X2PBCCJLOC/eye+triangle.jpg</image:loc>
      <image:title>TOUCH - Surgical Experiments in the Medium of Collage</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486960105974-2XXD1JQSWGGDM8YA9WBP/image-asset.jpeg</image:loc>
      <image:title>TOUCH - Surgical Experiments in the Medium of Collage</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486959328565-169BO39YNYM47R8XTZY6/image-asset.jpeg</image:loc>
      <image:title>TOUCH - Surgical Experiments in the Medium of Collage</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/ritual-delusion-medicinal-belief</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/tag/Zulfikar+Ali+Bhutto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/tag/Na+Chainkua+Reindorf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/tag/Christopher+Squier</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/tag/Carolina+Magis+Weinberg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/tag/Sai+Li</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/tag/Jason+Rasmussen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/tag/Jackie+Valle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/tag/Irena+Azovsky</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-3/tag/Joseph+Dwyer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-4</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-05-23</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-4/2017/5/22/here-lies-the-screen-digital-and-otherwise</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495513960305-N3U3FX6I7N6GFZ8O67D1/Cropped_Leonardo_Da_Vinci_-_Vergine_delle_Rocce_%28Louvre%29.jpg</image:loc>
      <image:title>THE SCREEN - Here Lies the Screen, Digital and Otherwise</image:title>
      <image:caption>Detail, leonardo da vinci, The Virgin with the Infant Saint John the Baptist adoring the Christ Child accompanied by an Angel ('The Virgin of the Rocks'), 1491- 1508. oil on poplar, thinned and cradled. Purchased 1880, the national gallery, london.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495516208788-V7GWN4ZEU466UDVS7GBE/virgin+on+the+rocks.jpg</image:loc>
      <image:title>THE SCREEN - Here Lies the Screen, Digital and Otherwise - See detail above.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495508196443-TCRJCI6XG30V09KK4LDD/Nauman_Corridor.jpg</image:loc>
      <image:title>THE SCREEN - Here Lies the Screen, Digital and Otherwise - Bruce Nauman, Live-Taped Video Corridor  DATE 1970  MEDIUM Wallboard, video camera, two video monitors, video recording, and video playback device, dimensions variable.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495508155101-4KBP4N5IFOKCY8HQLE2V/Bruce+Nauman%2C+Corridor+Installation+%28Nick+Wilder+Installation%29%2C+Dia+Beacon%2C+Dia%2C+New+York.+Friedrich+Christian+Flick+Collection%3B+Long-term+loan.+Bruce+Nauman%252FArtists+Rights+Society+%28ARS%29+http-%252F%252Fwww.diaart.org%252Fcollection%252Fcollection.jpg</image:loc>
      <image:title>THE SCREEN - Here Lies the Screen, Digital and Otherwise - Bruce Nauman, Live-Taped Video Corridor  DATE 1970  MEDIUM Wallboard, video camera, two video monitors, video recording, and video playback device, dimensions variable.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495508153678-MMDUGNHWCT5P8989VKN0/Andreas-Gurskys-Rhine-II-007.jpg</image:loc>
      <image:title>THE SCREEN - Here Lies the Screen, Digital and Otherwise - Andreas Gursky, Der Rhein II (Rhine II, 1999. Photograph, colour, Chromogenic print, on paper. Frame: 2063 x 3575 x 50 mm image: 1564 x 3083 mm</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495508154737-H469WWH6RREDDHHNMFEI/brigitte-bardot_vintage-beauty_6.jpg</image:loc>
      <image:title>THE SCREEN - Here Lies the Screen, Digital and Otherwise - Brigitte Bardot and screen.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495508155994-8G1JDDT724KMZSP2CPPQ/Caspar_David_Friedrich_029-e1427311407631.jpg</image:loc>
      <image:title>THE SCREEN - Here Lies the Screen, Digital and Otherwise - Caspar David Friedrich, Monk by the Sea, c. 1808–1810, oil on canvas.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495508200419-F0WTIPWWHI7TWIXHDS0P/FullSizeRender.jpg</image:loc>
      <image:title>THE SCREEN - Here Lies the Screen, Digital and Otherwise - Iphone image courtesy of Jackie Valle.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495509389280-2ZY2RSWHWOSIX7QNJZ7M/IMG_3514.JPG</image:loc>
      <image:title>THE SCREEN - Here Lies the Screen, Digital and Otherwise - Iphone image courtesy of Christopher Squier.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495513182624-OYEGA8UHIKP1CN5WV3FJ/magritte+kiss.jpg</image:loc>
      <image:title>THE SCREEN - Here Lies the Screen, Digital and Otherwise - René Magritte, The Lovers,  1928. Oil on canvas, 21 3/8 x 28 7/8" (54 x 73.4 cm).</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495514939536-2ELG9WVXYP4ZQGEDMVOT/1-Molloy-Cait-2016.jpg</image:loc>
      <image:title>THE SCREEN - Here Lies the Screen, Digital and Otherwise - Cait Molloy, Two Mountains, 2016. Jules Maeght Gallery, San Francisco.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495514943689-2D3CIS5UY3WK8QDU3ODD/3-Molloy-Cait-2015.jpg</image:loc>
      <image:title>THE SCREEN - Here Lies the Screen, Digital and Otherwise - Cait Molloy, Convergence, 2015. Jules Maeght Gallery, San Francisco.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495514949811-SE8LJR9QRYYBGEXNT0JO/4-Molloy-Cait-2016.jpg</image:loc>
      <image:title>THE SCREEN - Here Lies the Screen, Digital and Otherwise - Cait Molloy, Fallen Ridge, 2016, Jules Maeght Gallery, San Francisco.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495508156819-JSHPJRJ1W3GOPK0SV435/Christo+and+Jeanne-Claude%2C+The+Gates%2C+1979-05%2C+Central+Park%2C+New+York+City.jpg+http-%252F%252Fchristojeanneclaude.net%252Fprojects%252Fthe-gates.jpg</image:loc>
      <image:title>THE SCREEN - Here Lies the Screen, Digital and Otherwise - Christo and Jeanne-Claude, The Gates, 1979-05, Central Park, New York City.jpg http://christojeanneclaude</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-4/commercial-fantasies-unpacking-the-screen-in-advertising</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494472027928-8HGGNTD058SRFPR5TMG0/image-asset.png</image:loc>
      <image:title>THE SCREEN - Commercial Fantasies: Unpacking the Screen in Advertising</image:title>
      <image:caption>Screengrab from Sony’s website. Sony Corporation of America, 2017. “4K HDR &amp; Full HD Color TVs With TRILUMINOUS Display.” http://www.sony.com/electronics/4k-hd-triluminos-display-color-tvs?cpint=SG_PRODUCT_DETAILS_SEC-TOUT-PDP-X90E-EN_GL-2016-11-M13-DISCOVERWHAT-TOUT03-COLOUR. Accessed May 6 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494471610033-A4RGHHKI57UPDEUPNL4U/image-asset.png</image:loc>
      <image:title>THE SCREEN - Commercial Fantasies: Unpacking the Screen in Advertising</image:title>
      <image:caption>Still from “Sony 4K Ultra HD Smart TV Commercial,” YouTube video, 1:00, from a commercial created by the Sony Corporation, posted by Smart TVs &amp; Gadgets on Aug 5 2014. Accessed March 26 2017. https://www.youtube.com/watch?v=VsUUwAHXWvA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494471929355-7U10DLZGZ3VVUDEC8RG8/image-asset.png</image:loc>
      <image:title>THE SCREEN - Commercial Fantasies: Unpacking the Screen in Advertising</image:title>
      <image:caption>Still from “Bravia X9000C/X9100C series Floating Style – Our Thinnest ever 4K TV,” YouTube Video, 1:16, Advertisement published by Sony on January 5th 2015. Accessed March 26, 2017. https://www.youtube.com/watch?v=x5iczT4f17Q.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494472557697-BC58O4Z0VN8SQKFYYVMI/image-asset.png</image:loc>
      <image:title>THE SCREEN - Commercial Fantasies: Unpacking the Screen in Advertising</image:title>
      <image:caption>Electric Objects, “Electric Object: A Computer Made For Art,” Kickstarter video, 1:45, produced by Saint Cloud, accessed March 29, 2017, https://www.kickstarter.com/projects/electricobjects/electric-objects-a-computer-made-for-art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494472275892-3RQQFM8EEV2FDZ0QE82K/image-asset.png</image:loc>
      <image:title>THE SCREEN - Commercial Fantasies: Unpacking the Screen in Advertising</image:title>
      <image:caption>Screengrab of Electric Object’s landing site. Electric Objects, 2017.“The Next Great Movement in Art.” www.electricobjects.com. Accessed March 29 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494472487567-B9FHTSBTVX8PLMAXDOCC/image-asset.png</image:loc>
      <image:title>THE SCREEN - Commercial Fantasies: Unpacking the Screen in Advertising</image:title>
      <image:caption>Screengrab of Electric Object’s landing site. Electric Objects, 2017. “The Next Great Movement in Art.” www.electricobjects.com. Accessed March 29 2017.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-4/digital-seance-capturable-loss</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495407441485-IKWILGMVTX0AG2JH1WPR/973e6f45-4b43-45af-99a7-02cc0fe7e6db_l.png</image:loc>
      <image:title>THE SCREEN - Digital Seance, Capturable Loss</image:title>
      <image:caption>Song Dong, Touching My Father, 1997, Videotape, performance. Image accessed via Asia Art Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495407378602-5H6PFYM6ZP730F8H6I0N/de5ec2ce-8888-4ca2-9fe3-dd4fe51b599c_l.jpg.png</image:loc>
      <image:title>THE SCREEN - Digital Seance, Capturable Loss</image:title>
      <image:caption>Song Dong, Touching My Father, 1997, Videotape, performance. Image accessed via Asia Art Archive. http://www.aaa.org.hk/Collection/CollectionOnline/Details/29940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495409335338-PEUI0Q9TEIIAKVJ3FN6K/image6_a.gif</image:loc>
      <image:title>THE SCREEN - Digital Seance, Capturable Loss</image:title>
      <image:caption>Diana Li, Forget Myself, 2017, Video Installation, Diego Rivera Gallery. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495407843601-46DGF90DZGA7AFSUJ8YY/image-asset.jpeg</image:loc>
      <image:title>THE SCREEN - Digital Seance, Capturable Loss</image:title>
      <image:caption>Dieter Kiessling, Two Cameras, 1998, Video Installation. Image accessed via Media Art Net. http://www.medienkunstnetz.de/works/two-cameras/.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495407520644-KSY0HPY75C7CYWPXK2JB/image-asset.png</image:loc>
      <image:title>THE SCREEN - Digital Seance, Capturable Loss</image:title>
      <image:caption>Song Dong, Touching My Father, 2002, Videotape, performance. Image accessed via Asia Art Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495407806204-QI4NYG5HMK5QPDTAGDNP/image-asset.png</image:loc>
      <image:title>THE SCREEN - Digital Seance, Capturable Loss</image:title>
      <image:caption>Song Dong, Touching My Father, 2002, Videotape, performance. Image accessed via Asia Art Archive.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-4/failing-to-be-together-didnt-separate-us</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494705801349-IAHF9RANRD9KPADKENIT/image-asset.jpeg</image:loc>
      <image:title>THE SCREEN - Failing to be Together Didn't Separate Us</image:title>
      <image:caption>You were at your desk, in the kitchen. Turning your head, your eyes would have passed into that unreachable space. Instead, our world was shallow, your worry deep. Even with two pairs of glasses on, you couldn’t see the comforter (which you bought), the leg (which grew in your womb), the charger (of the iPad you insisted I bring), the books (that I would send back to your house). I was looking East and you were facing South and still our eyes met. Will you frame this photo I took of us together? When guests come over, we can say, Jyoti became the family photographer that day. We can say, Stephanie bought the antibacterial gel that healed the scratch on Jyoti’s leg and also bought that screen which became their meeting place. We can ask, Well, which was it, which March?/When they divided us like a deck of cards! Stephanie could hear the sound of water falling in Siberia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494705838298-L6ZKEZIQVSRWM52X17FU/image-asset.jpeg</image:loc>
      <image:title>THE SCREEN - Failing to be Together Didn't Separate Us</image:title>
      <image:caption>I know what it means to be alone in two places at once. To live with two beds, and to sleep in only one. You were in the bathroom when I took this photo, offscreen and therefore out of sight. I looked into the room you inhabited, unable to sneak past this one angle. Unable to look into your drawers, to pretend that your house was mine. My building rose up in concrete, and it was fall when I first ascended those five flights. The material of the stairs wasn’t forgiving and by spring that hadn’t changed. My first dinner there consisted of potato chips. All those walls that contained me never contained you, even if your image appeared within their confines. You never ate cookies or drank tea at my table. And you and I are already far from the earth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494705900718-NLGGHX6Z3GX2FRKMY9HM/image-asset.jpeg</image:loc>
      <image:title>THE SCREEN - Failing to be Together Didn't Separate Us</image:title>
      <image:caption>I heard a song begin at a friend’s apartment one night, “I love the one who will not arrive.” I can’t say the screen is a place, but it functions that way in describing our togetherness. Your face is no longer flat in front of me, and I failed to record it all. I only have proof of the attempt. What happens upon arrival?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494705856760-JDF9M6NKFFGA9PSO9EBJ/image-asset.jpeg</image:loc>
      <image:title>THE SCREEN - Failing to be Together Didn't Separate Us</image:title>
      <image:caption>Like khrushchevki, the slowly disappearing five-storied Soviet apartment buildings that weren’t meant to last this long, screens enclose the widest range of human experience in nearly identical structures. Here, I might accidentally walk into a conversation that wasn’t mine or spend the holidays with a complete stranger. Once the door opens, there are so many details. You were in your office—I recognize the photos behind you. The natural light flooding the frame, illuminating your face, tells me that it was daytime in New York (somewhere between nighttime and early morning in Novosibirsk). Perhaps you were on your lunch break. Perhaps we would hang up and I would sleep. I placed you on the stool, where I placed so many other conversations—a bust, elevated. Now these conversations have different names, they wander the park of fallen heroes unable to find monuments in their honor. Will this moment be empty until I fill it with words?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494705881433-ZGNMV4GLR7XM195HKVDM/image-asset.jpeg</image:loc>
      <image:title>THE SCREEN - Failing to be Together Didn't Separate Us</image:title>
      <image:caption>Our conversation is a triangle, at least, the data of our faces are swimming together at a point on a line along the ocean floor, our faces made of flesh looking around at the depth. Why not a polygon of endless sides? We already assume that other ears, other networks, are listening. How might we oppose an absence? Dwell in the invisible crowd surrounding us? I am nuzzled on your pillow, and you on mine, both covered with identical cases we bought at distant Ikeas. We are saying goodnight, I am closing my eyes, but I won’t be there to make you breakfast in the morning. Our images are swimming laps with one another. Neck and neck, they keep pace so that we can remain grounded on land, unaware. Still these conversations happened. I interrupted you. You asked me questions. My voice filled the room you slept in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494705820154-SM5Z6UCQZF266KI38L0Q/image-asset.jpeg</image:loc>
      <image:title>THE SCREEN - Failing to be Together Didn't Separate Us</image:title>
      <image:caption>Beginning in the 1970s, a Russian performance art group called Kollektivnye Deystviya—Collective Actions—organized a series of performances called Appearances, or perhaps Apparitions depending on your sense of the Russian poyavlenie. Artists’ activities were under close scrutiny by the government for their compliance with official ideology and, to avoid their watch, audience members were carefully selected and invited by personal phone call to witness an event at a location outside of Moscow. The action that followed would be distant, ambiguous, subtle. Figures moved across the landscape. And then? The viewers’ interpretations became the only record of what had occurred, their written testimonies produced and collected after the fact. I am considering whether these moments captured on photographic film are collective actions, too.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494705781935-VZG2EUOE9O4FKTXSOB5D/image-asset.jpeg</image:loc>
      <image:title>THE SCREEN - Failing to be Together Didn't Separate Us</image:title>
      <image:caption>It can take as much planning to bring two people together on screen as it does to get thirty to a train stop near Moscow in March. I had to capture the exchange, especially since you were in a parked car, in Iowa no less, and I’ve never been to Iowa nor you to Novosibirsk. If your government stipend paid for your groceries, did they look inside your bag? If mine bought me that grapefruit, do they get to see me eat it? We weren’t exactly talking in private. I don’t know how to escape the authorities on that screen with you. It’s been so long since we’ve met at a train stop or on any other platform.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-4/2017/5/22/time-and-space-in-the-digital-world-critical-views-on-the-work-of-four-colombian-contemporary-artists-</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495514534025-5HH08JX29L98BGTSWRWE/Mariana+Murcia+2.jpg</image:loc>
      <image:title>THE SCREEN - Time and Space in the Digital World: Critical Views on the Works of Four Colombian Contemporary Artists</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495514535164-XSJKMFPGGQ1V8XR5MUFX/Mariana+Murcia+1.jpg</image:loc>
      <image:title>THE SCREEN - Time and Space in the Digital World: Critical Views on the Works of Four Colombian Contemporary Artists</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495514534026-BSCBL9RVV5ZYVKR813FG/Mariana+Murcia+5.jpg</image:loc>
      <image:title>THE SCREEN - Time and Space in the Digital World: Critical Views on the Works of Four Colombian Contemporary Artists</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495564999912-PVRERF2KRN5B3TF27H39/Montenegro+Jaramillo_1.png</image:loc>
      <image:title>THE SCREEN - Time and Space in the Digital World: Critical Views on the Works of Four Colombian Contemporary Artists</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495564943475-3ESA0GKPFXF1NZ8W8J5K/Montenegro+Jaramillo_2.png</image:loc>
      <image:title>THE SCREEN - Time and Space in the Digital World: Critical Views on the Works of Four Colombian Contemporary Artists</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495513913908-BKHS1OG0EWYHRA6TGION/Montenegro+Jaramillo_3.png</image:loc>
      <image:title>THE SCREEN - Time and Space in the Digital World: Critical Views on the Works of Four Colombian Contemporary Artists</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495514374314-2KO57XO14F3RO0104FX8/S+Pinyol+2.jpg</image:loc>
      <image:title>THE SCREEN - Time and Space in the Digital World: Critical Views on the Works of Four Colombian Contemporary Artists</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495514374946-AKQTW7D53QMP05N62YDB/SPINYOL_MIAMI-14.jpg</image:loc>
      <image:title>THE SCREEN - Time and Space in the Digital World: Critical Views on the Works of Four Colombian Contemporary Artists</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495513685282-W9QF7NDOZ2MB4XM3JL60/17017141_10158304630680367_2820752665639848152_o.jpg</image:loc>
      <image:title>THE SCREEN - Time and Space in the Digital World: Critical Views on the Works of Four Colombian Contemporary Artists</image:title>
      <image:caption>Sebastián Cruz Roldán, Rompe Pantallas, 2016 Sebastián Cruz Roldán is an independent photographer who lives and works in Bogotá. His artistic practice has special interest in collective initiatives. He has been part of Colectivo Invisible (2007–2010) directing a publication and producing performance festivals. In 2008 he co-founded the residency program Residencia en la Tierra that lasted until 2013. Since 2012 he has been part of laagencia, with whom he also co-curated the XIV Regional Artists Salon, zona centro occidente in Bogotá. Cruz manages Ambiente Familiar a photography studio focused in art and architecture.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-4/petra-kujau-the-paintings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494707335577-J9WFG500R7A6CTHY7NM8/image-asset.jpeg</image:loc>
      <image:title>THE SCREEN - Petra Kujau: The Paintings</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-4/tag/Diana+Li</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-07</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/queer-bodies-in-social-media</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506441801195-DNA25PUD6FOEC0AE2OD5/DissolveEditorial.jpg</image:loc>
      <image:title>CARTOGRAPHIES - Discrimination and Control of Queer Bodies in Social Media</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506381688234-KLW7XVOTPHR48GXAPPQC/04.+Gaby+Angel+Callejas+Folder+16.jpg</image:loc>
      <image:title>CARTOGRAPHIES - Discrimination and Control of Queer Bodies in Social Media</image:title>
      <image:caption>FROM GABY ÁNGEL CALLEJAS ARCHIVE. COURTESY OF THE ARKHÉ FOUNDATION.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506441781820-ZPO3W52WIO3YJY4IXJ2D/Dissolve+editorial+2.jpg</image:loc>
      <image:title>CARTOGRAPHIES - Discrimination and Control of Queer Bodies in Social Media</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506381728237-BBS6Q706JS37IPDVVDK5/001.+MADORILYN+Collage+Album.jpg</image:loc>
      <image:title>CARTOGRAPHIES - Discrimination and Control of Queer Bodies in Social Media</image:title>
      <image:caption>COLLAGE MADE BY MADORILYN. COURTESY OF THE ARKHÉ FOUNDATION.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/mapping-the-unmappable</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1504913241301-TK5RT560M09FM7N6FDGM/010.+CAM+familia+Cadavid+Medelli%CC%81n+Folder+21+%281%29.jpg</image:loc>
      <image:title>CARTOGRAPHIES - Mapping the Unmappable</image:title>
      <image:caption>International Bambuco Trans Beauty Pageant. Courtesy of the Akrhé Foundation. From Halim Badawi’s essay, Pink memories: The Archives of LGBTQ History</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1504912886566-XKZZ5FX0KUVDAG5VT3ID/2.jpg</image:loc>
      <image:title>CARTOGRAPHIES - Mapping the Unmappable</image:title>
      <image:caption>Anti-palindrome. Courtesy of Felipe Quintero Botero (2017). From Paula Mendez’ essay, The Haptic Revolution of Cartographies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1504913098906-20RKQJOWT08DI068KLE8/6.jpg</image:loc>
      <image:title>CARTOGRAPHIES - Mapping the Unmappable</image:title>
      <image:caption>El Espectador, December 4th, 2016. From Manuela Ochoa’s essay, When Memory Surrounded Justice</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/la-revolucion-tactil</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505006558920-TNENT1M2V2C1GTI3V4KW/Cani+5+bn.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La revolución táctil de las cartografías</image:title>
      <image:caption>Fig. 9 Imágenes de la autora, tomadas en el año 2014 durante el desarrollo del proyecto “Sensing La Séptima: A Haptic Approach to Urban Practices in Bogotá’s Public Spaces”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505005933723-K2M1GJGO8Q89QS9BGH94/Tunisi+1.png</image:loc>
      <image:title>CARTOGRAPHIES - La revolución táctil de las cartografías</image:title>
      <image:caption>screengrab  from Al Centro di Tunisi,  a web documentary developed by the interdisciplinary research group GeoTelling. The cartography contains multiple narrations, composed of images, texts and videos. image courtesy of the Author. http://webdoc.unica.it/tunisi/index.htm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505005061202-5X3A1QXTRU9NEL09XKPD/Screen+Shot+2017-09-09+at+5.51.45+PM.png</image:loc>
      <image:title>CARTOGRAPHIES - La revolución táctil de las cartografías</image:title>
      <image:caption>Fig. 4 Imagen tomada de: http://www.cartophonies.fr/, un proyecto desarrollado por CRESSON (laboratorio de investigación urbana en Francia), que contiene múltiples fragmentos sonoros de diferentes ciudades del mundo.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505006642005-1GRCLZ46HGB1P1THLEP0/Cresson+2.png</image:loc>
      <image:title>CARTOGRAPHIES - La revolución táctil de las cartografías</image:title>
      <image:caption>Fig. 5 Imagen tomada de http://www.cartophonies.fr/, al explorar en el mapa los espacios públicos de Bogotá. Cada círculo rojo contiene un registro sonoro del ambiente urbano del lugar específico.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505006685812-S8NNLXHXI6XJG6WVPQ1K/shqYXNopyr-tubbhKk8AYxQ.png</image:loc>
      <image:title>CARTOGRAPHIES - La revolución táctil de las cartografías</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505003230399-00Q5C7EYQR3MEB7GTGDL/2+%282%29.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La revolución táctil de las cartografías</image:title>
      <image:caption>Fig. 2  *Anti-palíndromo*. Cortesía de Felipe Quintero Botero</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505006541944-3Y42GQBWBXC84302QALD/Cani+4+bn.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La revolución táctil de las cartografías</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505003086908-L91APH5VHQ980JZFG7Z6/1+%281%29.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La revolución táctil de las cartografías</image:title>
      <image:caption>Fig. 1 Fotografía de la tapa de una cajita heredada por una abuela</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505005368686-F85IZI0L47IB5B1E2IRC/6+%282%29.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La revolución táctil de las cartografías</image:title>
      <image:caption>Friedensreich Hundertwasser, Green Power, 1972.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505006190285-C53SBLBBQI5HSTQRGAXP/Tunisi+2.png</image:loc>
      <image:title>CARTOGRAPHIES - La revolución táctil de las cartografías</image:title>
      <image:caption>research group GeoTelling. The cartography contains multiple narrations, composed of images, texts and videos.  when exploring one of the narrations present in the cartography of the Medina quarter of Tunis. image courtesy of the Author.  http://webdoc.unica.it/tunisi/index.html</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505004389908-17P6A8F0GL6Z898RES43/5+%281%29.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La revolución táctil de las cartografías</image:title>
      <image:caption>David Howes, 1991. image courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505005484945-F28SCACHI3LGMF9JM074/Final+Edit+-+The+haptic+revolution+of+cartographies.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La revolución táctil de las cartografías</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505006519679-LD6Q7N2912PKEYESU445/Cani+2+bn.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La revolución táctil de las cartografías</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/a-collection-of-ephemerides</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-12</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/la-memoria-rosa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503635116144-HQ4VUA299XBZAUZEJ4C9/005.+Gaby+Angel+Callejas+Folder+16.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La memoria rosa: los archivos de la historia LGBTI</image:title>
      <image:caption>Fig. 2. Del archivo de Gaby Ángel Callejas. Cortesía de la Fundación Arkhé.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503634680008-QD5HROLRYNYQI1HVT5AY/04.+Gaby+Angel+Callejas+Folder+16.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La memoria rosa: los archivos de la historia LGBTI</image:title>
      <image:caption>Fig. 1. Del archivo de Gaby Ángel Callejas. Cortesía de la Fundación Arkhé.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503635630641-4KT4Z6OGBC0WJSDHGZY8/001.+MADORILYN+Collage+Album.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La memoria rosa: los archivos de la historia LGBTI</image:title>
      <image:caption>Fig. 4. Collage realizado por Madorilyn Crawford. Cortesía de la Fundación Arkhé.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503635395580-I8JCK79XX161MZT6E96T/010.+CAM+familia+Cadavid+Medell%C3%ADn+Folder+21.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La memoria rosa: los archivos de la historia LGBTI</image:title>
      <image:caption>Fig. 3. Reinado Internacional del Bambuco Trans. Cortesía de la Fundación Arkhé.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/deep-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505007999200-K523ZIULMQM8BHU1VU5X/fourht.JPG</image:loc>
      <image:title>CARTOGRAPHIES - Deep Time on the Misty Isle</image:title>
      <image:caption>Kylie white, The Quirang, 2017. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505007296160-AIASAC2I7D1ZJF08SMLD/first+image.JPG</image:loc>
      <image:title>CARTOGRAPHIES - Deep Time on the Misty Isle</image:title>
      <image:caption>KYlie White, Black Cuillin, Loch Coruisk, 2017. Image Courtesy of the Artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505008330317-OPRLNNS41G2K48JIDMEM/8th.JPG</image:loc>
      <image:title>CARTOGRAPHIES - Deep Time on the Misty Isle</image:title>
      <image:caption>Kylie White, Glacial Erratic, Loch Coruisk, 2017.Image Courtesy of the Artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505007796346-1PS9JRU6ZFF0X0O1FKV0/third+image.JPG</image:loc>
      <image:title>CARTOGRAPHIES - Deep Time on the Misty Isle</image:title>
      <image:caption>Kylie white, The Quirang, 2017. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505008305773-85LPPXVLO69WOISY2JB5/final.JPG</image:loc>
      <image:title>CARTOGRAPHIES - Deep Time on the Misty Isle</image:title>
      <image:caption>kylie white, Flodigarry, from Staffin Bay, 2017.  Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505008075658-V4D18NSQL4NKQS9YFXZB/sixth.JPG</image:loc>
      <image:title>CARTOGRAPHIES - Deep Time on the Misty Isle</image:title>
      <image:caption>Kylie white, The Quirang, 2017. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505008100257-N32VUYJ224H5Y88LJEI1/seventh.JPG</image:loc>
      <image:title>CARTOGRAPHIES - Deep Time on the Misty Isle</image:title>
      <image:caption>Kylie white, The Quirang, 2017. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505007593471-273TNALVVN6G0UITV1JI/second+image.JPG</image:loc>
      <image:title>CARTOGRAPHIES - Deep Time on the Misty Isle</image:title>
      <image:caption>Kylie white, Folded Lewisian Gneiss (up to 3 billion years old), near Moine Thrust Zone, Glen Elg - Arnisdale, 2017.  Image Courtesy of the Artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/la-memoria-envuelve-la-justicia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503631789704-Q49S7EGV28WR22HI045X/6.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La memoria envuelve la justicia</image:title>
      <image:caption>Foto: El Espectador, 4 de diciembre de 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503631957244-JNUW3VIR7MJD1VDMOAEP/2.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La memoria envuelve la justicia</image:title>
      <image:caption>Colcha elaborada por Blanca Nieves Meneses, 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503631624627-48T2RQX79VD6G2ZLFTQ4/3.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La memoria envuelve la justicia</image:title>
      <image:caption>Blanca Nieves con su colcha de retazos en proceso. Fragmento de la colcha de retazos.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503631672311-FD2YEHC9A23TD1MQY9WW/4.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La memoria envuelve la justicia</image:title>
      <image:caption>Algunos representantes de los costureros regionales,  reunidos en Medellín para conformar la Red de Tejedoras por la Memoria y la Vida.  Foto de Sara Castillejos, Focos Narrativos.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503632037420-KR5UNSKU6EOOMIJS88S1/IMG_4443.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La memoria envuelve la justicia</image:title>
      <image:caption>“Desplazamiento”, Tejedoras de Mampuján. 2009.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503631497030-HIYOAN0N37MHYJHD8A2I/1.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La memoria envuelve la justicia</image:title>
      <image:caption>“Desplazamiento”, Tejedoras de Mampuján, 2009. Fragmento. Foto por Francisco Escobar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503631728307-O1BGPP12WORLNIPBDF6Y/5.jpg</image:loc>
      <image:title>CARTOGRAPHIES - La memoria envuelve la justicia</image:title>
      <image:caption>Tejedoras del Costurero Kilómetros de Vida y de Memoria en la marcha para las víctimas del 12 de octubre. Foto tomada de su Facebook.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/tag/Dissolve+Magazine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/tag/Manuela+Ochoa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/tag/Juan+Pablo+Pacheco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/tag/Halim+Badawi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/tag/Moira+Roth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/tag/Open+Letter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/tag/Harper+Brokaw-Falbo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/tag/Paula+Mendez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/tag/Joanne+Easton</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/tag/Facebook</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/tag/Editorial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5/tag/Kylie+White</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-07</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/discriminacion-y-control-sobre-los-cuerpos-queer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506441940711-V6WZJ1AO8NF50F62PI7Q/DissolveEditorial.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Discriminación y Control sobre los Cuerpos Queer en las Redes Sociales</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506406361864-OUSV7ARUIPAM42TZELP1/image-asset.jpeg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Discriminación y Control sobre los Cuerpos Queer en las Redes Sociales</image:title>
      <image:caption>COLLAGE REALIZADO POR MADORILYN CRAWFORD. CORTESÍA DE LA FUNDACIÓN ARKHÉ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506406188214-2MAJF4S14PQUT1VG44R2/image-asset.jpeg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Discriminación y Control sobre los Cuerpos Queer en las Redes Sociales</image:title>
      <image:caption>DEL ARCHIVO DE GABY ÁNGEL CALLEJAS. CORTESÍA DE LA FUNDACIÓN ARKHÉ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506441958639-K9T00A9UEN1G1CCGOXGZ/Dissolve+editorial+2.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Discriminación y Control sobre los Cuerpos Queer en las Redes Sociales</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/deep-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505008330317-OPRLNNS41G2K48JIDMEM/8th.JPG</image:loc>
      <image:title>Issue 5: Cartographies in Translation - El Tiempo Profundo en la Isla Brumosa</image:title>
      <image:caption>Kylie White, Glacial Erratic, Loch Coruisk, 2017.Image Courtesy of the Artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505007296160-AIASAC2I7D1ZJF08SMLD/first+image.JPG</image:loc>
      <image:title>Issue 5: Cartographies in Translation - El Tiempo Profundo en la Isla Brumosa</image:title>
      <image:caption>KYlie White, Black Cuillin, Loch Coruisk, 2017. Image Courtesy of the Artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505007593471-273TNALVVN6G0UITV1JI/second+image.JPG</image:loc>
      <image:title>Issue 5: Cartographies in Translation - El Tiempo Profundo en la Isla Brumosa</image:title>
      <image:caption>Kylie white, Folded Lewisian Gneiss (up to 3 billion years old), near Moine Thrust Zone, Glen Elg - Arnisdale, 2017.  Image Courtesy of the Artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505007999200-K523ZIULMQM8BHU1VU5X/fourht.JPG</image:loc>
      <image:title>Issue 5: Cartographies in Translation - El Tiempo Profundo en la Isla Brumosa</image:title>
      <image:caption>Kylie white, The Quirang, 2017. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505008305773-85LPPXVLO69WOISY2JB5/final.JPG</image:loc>
      <image:title>Issue 5: Cartographies in Translation - El Tiempo Profundo en la Isla Brumosa</image:title>
      <image:caption>kylie white, Flodigarry, from Staffin Bay, 2017.  Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505007796346-1PS9JRU6ZFF0X0O1FKV0/third+image.JPG</image:loc>
      <image:title>Issue 5: Cartographies in Translation - El Tiempo Profundo en la Isla Brumosa</image:title>
      <image:caption>Kylie white, The Quirang, 2017. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505008075658-V4D18NSQL4NKQS9YFXZB/sixth.JPG</image:loc>
      <image:title>Issue 5: Cartographies in Translation - El Tiempo Profundo en la Isla Brumosa</image:title>
      <image:caption>Kylie white, The Quirang, 2017. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505008100257-N32VUYJ224H5Y88LJEI1/seventh.JPG</image:loc>
      <image:title>Issue 5: Cartographies in Translation - El Tiempo Profundo en la Isla Brumosa</image:title>
      <image:caption>Kylie white, The Quirang, 2017. Image courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/mapeando-lo-intrazable</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505174023924-YR9IVV7JRP7PR48257WM/2+%282%29.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Mapeando lo intrazable</image:title>
      <image:caption>Anti-palíndromo. Cortesía de Felipe Quintero Botero (2017). Tomado del ensayo de Paula Mendez, La Revolución Táctil de las Cartografías</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505174213490-SOTOMZVST8YNHIGJ6SWM/010.+CAM+familia+Cadavid+Medelli%CC%81n+Folder+21+%281%29.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Mapeando lo intrazable</image:title>
      <image:caption>Reinado Internacional del Bambuco Trans. Cortesía de la Fundación Arkhé. Tomado del artículo de Halim Badawi, La memoria rosa: los archivos de la historia LGBTI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505174094997-RY68LPSHO35RAJZ4T7MV/6.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Mapeando lo intrazable</image:title>
      <image:caption>El Espectador, 4 de diciembre de 2016. Tomado del ensayo de Manuela Ochoa, La Memoria Envuelve la Justicia</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/the-haptic-revolution</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505003230399-00Q5C7EYQR3MEB7GTGDL/2+%282%29.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - The Haptic Revolution of Cartographies</image:title>
      <image:caption>Anti-palindrome, 2017. Image Courtesy of Felipe Quintero Botero</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505005484945-F28SCACHI3LGMF9JM074/Final+Edit+-+The+haptic+revolution+of+cartographies.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - The Haptic Revolution of Cartographies</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505005061202-5X3A1QXTRU9NEL09XKPD/Screen+Shot+2017-09-09+at+5.51.45+PM.png</image:loc>
      <image:title>Issue 5: Cartographies in Translation - The Haptic Revolution of Cartographies</image:title>
      <image:caption>Screengrab from CRESSON  (urban research laboratory in France), that contains multiple sound fragments of different cities of the world. Image courtesy of the Author. http://www.cartophonies.fr/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505006190285-C53SBLBBQI5HSTQRGAXP/Tunisi+2.png</image:loc>
      <image:title>Issue 5: Cartographies in Translation - The Haptic Revolution of Cartographies</image:title>
      <image:caption>research group GeoTelling. The cartography contains multiple narrations, composed of images, texts and videos.  when exploring one of the narrations present in the cartography of the Medina quarter of Tunis. image courtesy of the Author.  http://webdoc.unica.it/tunisi/index.html</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505006541944-3Y42GQBWBXC84302QALD/Cani+4+bn.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - The Haptic Revolution of Cartographies</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505006558920-TNENT1M2V2C1GTI3V4KW/Cani+5+bn.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - The Haptic Revolution of Cartographies</image:title>
      <image:caption>Images from the development of the research project Sensing La Séptima: A Haptic Approach to Urban Practices in Bogotá’s Public Spaces, 2014. Image courtesy of the Author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505005368686-F85IZI0L47IB5B1E2IRC/6+%282%29.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - The Haptic Revolution of Cartographies</image:title>
      <image:caption>Friedensreich Hundertwasser, Green Power, 1972. Image courtesy of the Author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505006519679-LD6Q7N2912PKEYESU445/Cani+2+bn.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - The Haptic Revolution of Cartographies</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505004389908-17P6A8F0GL6Z898RES43/5+%281%29.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - The Haptic Revolution of Cartographies</image:title>
      <image:caption>David Howes, 1991. image courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505003086908-L91APH5VHQ980JZFG7Z6/1+%281%29.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - The Haptic Revolution of Cartographies</image:title>
      <image:caption>Photograph printed on the top of a box inherited by my grandmother in 2012. Image courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505005933723-K2M1GJGO8Q89QS9BGH94/Tunisi+1.png</image:loc>
      <image:title>Issue 5: Cartographies in Translation - The Haptic Revolution of Cartographies</image:title>
      <image:caption>screengrab  from Al Centro di Tunisi,  a web documentary developed by the interdisciplinary research group GeoTelling. The cartography contains multiple narrations, composed of images, texts and videos. image courtesy of the Author. http://webdoc.unica.it/tunisi/index.htm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505006685812-S8NNLXHXI6XJG6WVPQ1K/shqYXNopyr-tubbhKk8AYxQ.png</image:loc>
      <image:title>Issue 5: Cartographies in Translation - The Haptic Revolution of Cartographies</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505006642005-1GRCLZ46HGB1P1THLEP0/Cresson+2.png</image:loc>
      <image:title>Issue 5: Cartographies in Translation - The Haptic Revolution of Cartographies</image:title>
      <image:caption>Screengrab from CRESSON  (urban research laboratory in France). when exploring in the map Bogotá’s public spaces. Each red dot contains a sound fragment of the urban ambiance of the specific place. Image courtesy of the Author. http://www.cartophonies.fr/</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/una-coleccin-de-efemerides</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-12</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/pink-memories-the-archives-of-lgbtq-history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503678727839-2ZNRQCUM9TVGCFMI3LY8/005.+Gaby+Angel+Callejas+Folder+16.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Pink Memories: the Archives of LGBTQ History</image:title>
      <image:caption>From Gaby Ángel Callejas archive. Courtesy of the Arkhé Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503678742668-3U0JYBY7O1VC00WLB101/010.+CAM+familia+Cadavid+Medelli%CC%81n+Folder+21.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Pink Memories: the Archives of LGBTQ History</image:title>
      <image:caption>International Bambuco Trans Beauty Pageant. Courtesy of the Akrhé Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503678756291-PZMPSUVGG6GAAXMQ6ACC/001.+MADORILYN+Collage+Album.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Pink Memories: the Archives of LGBTQ History</image:title>
      <image:caption>Collage made by Madorilyn. Courtesy of the Arkhé Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503678706063-OKYUHEDHYK89VC444IL9/04.+Gaby+Angel+Callejas+Folder+16.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Pink Memories: the Archives of LGBTQ History</image:title>
      <image:caption>From Gaby Ángel Callejas archive. Courtesy of the Arkhé Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/memory-envelops-justice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505001647288-VSHESSYHNTOAGSMRBO4O/4.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Memory Envelops Justice</image:title>
      <image:caption>Some of the weavers representing their different regions together in Medellín to build the Red de Tejedoras por la Memoria y la Vida / Network of Weavers for Life and Memory. Photo by Sara Castillejos, Focos Narrativos.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505001967949-4LRETY03JV2YUAFJ4B5Z/5.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Memory Envelops Justice</image:title>
      <image:caption>Weavers from Costurero Kilómetros de Vida y de Memoria during the march for the victims during October 12th. Photo from their Facebook page.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505000010633-I94GKY52KKFDTGZTIE9I/1.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Memory Envelops Justice</image:title>
      <image:caption>Tejedoras de Mampuján/ Mampuján Weavers,  Frament of Desplazamiento/Displacement, 2009.  Photo by Francisco Escobar Court.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505000193822-AT92BAJOJMGUFBQXW2YI/IMG_4443.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Memory Envelops Justice</image:title>
      <image:caption>Tejedoras de Mampuján/Mampuján Weavers, Desplazamiento / Displacement,  2009.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505002154877-YM6INYVD2QCHEE7JQ05N/6+%281%29.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Memory Envelops Justice</image:title>
      <image:caption>El Espectador, December 4th, 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505180231799-TM9GG4J016B1MP74S8D4/3.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Memory Envelops Justice</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505000650852-M2HTPLDUSFE01J3PC9AL/2+%281%29.jpg</image:loc>
      <image:title>Issue 5: Cartographies in Translation - Memory Envelops Justice</image:title>
      <image:caption>Blanca Nieves Meneses, QUILT,  2010.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/tag/Halim+Badaw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/tag/Manuela+Ochoa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/tag/Juan+Pablo+Pacheco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/tag/Moira+Roth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/tag/Halim+Badawi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/tag/Harper+Brokaw+Falbo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/tag/Dissolve</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/tag/Paula+Mendez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/tag/Carta+Abierta</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/tag/Joanne+Easton</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/tag/Facebook</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/tag/Editorial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/issue-5-cartographies-in-translation/tag/Kylie+White</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/re-views</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-04-17</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/re-views/masqueraders</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1681767337493-XU9NHQ9RTL1KFM8WW5FM/African+Pavilion+during+the+1931+Exposition+Colonial+de+Paris+from+album+by+Marcel+Braun.jpeg</image:loc>
      <image:title>REVIEWS - Masqueraders: Na Chainkua Reindorf and Simone Leigh at La Biennale di Venezia</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1681767337535-YKEKYFUYOVQD7LODCOBM/Vernacular+reinterpretation-+Pavilion+of+Cameru%CC%81n%2C+Colonial+Exposition_Paris%2C+1931.jpeg</image:loc>
      <image:title>REVIEWS - Masqueraders: Na Chainkua Reindorf and Simone Leigh at La Biennale di Venezia</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/da318be4-5feb-49db-9eb9-d63aa44993d9/Simone+Leigh+Fac%CC%A7ade+and+Satellite+DSC_9600_2.jpg</image:loc>
      <image:title>REVIEWS - Masqueraders: Na Chainkua Reindorf and Simone Leigh at La Biennale di Venezia - Make it stand out</image:title>
      <image:caption>Simone Leigh: Façade, 2022. Thatch, steel, and wood, dimensions variable. Satellite, 2022. Bronze, 24 feet × 10 feet × 7 feet 7 inches (7.3 × 3 × 2.3 m) (overall). Courtesy the artist and Matthew Marks Gallery. Photo by Timothy Schenck. © Simone Leigh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/bb793fa3-4a42-41dc-9bb8-a40f8b0f55d6/2022-04-22+-+20220421_Venice_Biennale_0129.jpg</image:loc>
      <image:title>REVIEWS - Masqueraders: Na Chainkua Reindorf and Simone Leigh at La Biennale di Venezia - Make it stand out</image:title>
      <image:caption>Na Chainkua Reindorf, Veil, 2022. Glass beads, plastic beads, polycarbonate sheet, fiberglass resin, astroturf, and steel cable. 216 x 180 inches (5.5 x 4.6 meters). Image courtesy of THE Ghana Pavilion, 2022. Photograph by David Levene.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/a343c4e4-1900-49ef-b211-58d2871f73fd/Ugo+Mulas%2C+Venice+Biennale%2C+1968.jpeg</image:loc>
      <image:title>REVIEWS - Masqueraders: Na Chainkua Reindorf and Simone Leigh at La Biennale di Venezia - Make it stand out</image:title>
      <image:caption>Ugo Mulas, Venice Biennale, 1968.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/3e527141-1837-4708-9398-337c975aac33/Reindorf_Screen+01.jpg</image:loc>
      <image:title>REVIEWS - Masqueraders: Na Chainkua Reindorf and Simone Leigh at La Biennale di Venezia - Make it stand out</image:title>
      <image:caption>Na Chainkua Reindorf, Screen, 2017. IMAGE COURTESY OF THE ARTIST.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/5c79e855-f908-4408-bc14-a1b4844273ce/Lara+framed+sm.jpg</image:loc>
      <image:title>REVIEWS - Masqueraders: Na Chainkua Reindorf and Simone Leigh at La Biennale di Venezia - Make it stand out</image:title>
      <image:caption>Na Chainkua Reindorf, Lara: Mind Your Own, 2021–22. Acrylic gouache and cotton thread on Belgian linen canvas. 48.75 x 68.75 inches (123.8 x 174.6 centimeters). Image courtesy of the artist. Photograph by Na Chainkua Reindorf.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/fc954314-9188-4f6f-819e-c36320db0a27/Venice+Biennale+2001.jpeg</image:loc>
      <image:title>REVIEWS - Masqueraders: Na Chainkua Reindorf and Simone Leigh at La Biennale di Venezia - Make it stand out</image:title>
      <image:caption>Authentic/Ex-Centric: Africa In and Out of Africa, curated by Salah Hassan and Olu Oguibe, took place IN 2001 at the 49th International Art Exhibition, La Biennale di Venezia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1681768956454-KRSSD5HK2RFIRBAVC44T/Simone+Leigh+Cupboard+DSC_9697_2.jpg</image:loc>
      <image:title>REVIEWS - Masqueraders: Na Chainkua Reindorf and Simone Leigh at La Biennale di Venezia</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1681768960019-OMQH52J48K7J2TP812GK/Cupboard+X_03.jpeg</image:loc>
      <image:title>REVIEWS - Masqueraders: Na Chainkua Reindorf and Simone Leigh at La Biennale di Venezia</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1681768958518-72C0R5WTVH6IWVC2LVZO/Cupboard+X_04.jpeg</image:loc>
      <image:title>REVIEWS - Masqueraders: Na Chainkua Reindorf and Simone Leigh at La Biennale di Venezia</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/re-views/2017/7/31/microdosing-in-the-forest-of-the-king</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503003779353-YBW8VX8FTTO1UAFHCNVL/Fig2_oakmuseumwebsite.jpg</image:loc>
      <image:title>REVIEWS - Microdosing in the Forest of the King: A psychedelic journey into the work of Roy De Forest at the Oakland Museum</image:title>
      <image:caption>Roy De Forest, Dogcart from Hell, 1988; vinyl and acrylic on canvas, 81” x 75”; Collection of James A. Kidd; © Estate of Roy De Forest / Licensed by VAGA, New York. Oakland Museum of California, http://museumca.org/gallery/dogs-and-other-people-art-roy-de-forest-0#slide-9-field_phot_gallery-4064.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503003765971-4LB68QDJSIMA8UQOXDME/Fig1.jpg</image:loc>
      <image:title>REVIEWS - Microdosing in the Forest of the King: A psychedelic journey into the work of Roy De Forest at the Oakland Museum</image:title>
      <image:caption>Roy De Forest, Untitled, 1996; acrylic, pastel, and mixed media on paper with artist designed frame; 39-1/2 × 52 × 4-1/4 inches. Image: Brian Gross Fine Art. http://www.briangrossfineart.com/artists/rdeforest/.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503003837156-B1XJL5UGQGEN6ICNTR9D/Fig5.jpg</image:loc>
      <image:title>REVIEWS - Microdosing in the Forest of the King: A psychedelic journey into the work of Roy De Forest at the Oakland Museum</image:title>
      <image:caption>Roy De Forest, Autobiography of a Sunflower Merchant, 1962-1963. © Estate of Roy De Forest / Licensed by VAGA, New York. Image: San Francisco Museum of Mondern Art, https://www.sfmoma.org/artwork/64.36.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503003826486-YOXUXE1WYT9FIBL6G27Q/Fig4.jpg</image:loc>
      <image:title>REVIEWS - Microdosing in the Forest of the King: A psychedelic journey into the work of Roy De Forest at the Oakland Museum</image:title>
      <image:caption>Installation shot, Of Dogs and Other People: The Art of Roy De Forest, Oakland Musuem of California, Oakland, CA. Image: KQED Arts. https://ww2.kqed.org/arts/2017/05/03/dogs-are-people-too-inside-the-fantastical-world-of-roy-de-forest/.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503003801820-X1XIF2J0OBO3J30X33X8/Fig3.jpg</image:loc>
      <image:title>REVIEWS - Microdosing in the Forest of the King: A psychedelic journey into the work of Roy De Forest at the Oakland Museum</image:title>
      <image:caption>Roy De Forest, “Painter of the Rainforest” (1992), acrylic and vinyl on canvas, 81.5 x 96 inches, collection of the Oakland Museum of California, Gift to the Oakland Museum of California and the Jan Shrem and Maria Manetti Shrem Museum of Art from Herbert, Susan, and James Sandler in memory of Marian Osher Sandler. Image: SF Art Enthusiast. http://oaklandartenthusiast.com/2017/05/08/of-dogs-and-other-people-the-art-of-roy-de-forest-at-the-oakland-museum-of-california/.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503003882853-VA3AQXD991UR1DLV6V18/Fig7_Man+with+Staff.JPG</image:loc>
      <image:title>REVIEWS - Microdosing in the Forest of the King: A psychedelic journey into the work of Roy De Forest at the Oakland Museum</image:title>
      <image:caption>Installation shot, Of Dogs and Other People: The Art of Roy De Forest, Oakland Musuem of California, Oakland, CA. Photo by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503003864397-0YXHV2DFZAC8OC97IHVO/Fig6_Ilan_Casian.jpg</image:loc>
      <image:title>REVIEWS - Microdosing in the Forest of the King: A psychedelic journey into the work of Roy De Forest at the Oakland Museum</image:title>
      <image:caption>Ilán Casián-Issenberg, actor and fifth grader and Roy De Forest, Hans Bricker in the Tropics, 1974. Acrylic polymer on canvas, 72" x 93". Collection of The Anderson Collection at Stanford University. Image: “Guided By Voices, Oakland Museum of California website, http://magazine.museumca.org/Oakland-Museum-of-California/The-Art-of-Roy-De-Forest/Guided-by-Voices/.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1503003893687-GWTYN4B6R2SOW5COS7OT/Fig8_Fertile-Ground-Roy-De-Forest.jpg</image:loc>
      <image:title>REVIEWS - Microdosing in the Forest of the King: A psychedelic journey into the work of Roy De Forest at the Oakland Museum</image:title>
      <image:caption>Roy De Forest, Country Dog Gentlemen (detail), 1972; polymer on canvas; 66 3/4 x 97 in. Image: San Francisco Museum of Modern Art. https://www.sfmoma.org/artwork/73.32.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/re-views/2017/4/12/wong-kit-yi-futures-again-p-gallery-new-york</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1492042003030-6AEE35G2LBA67EQEBT9C/image-asset.jpeg</image:loc>
      <image:title>REVIEWS - Wong Kit Yi // Futures, Again // P! Gallery, New York</image:title>
      <image:caption>Wong Kit Yi, Still from A River in the Freezer, 2017, HD video with sound, 25 minutes, Edition 5 + 1 AP, Courtesy of the artist and P!.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1492040019215-280YHE8E2XVRPQBV5Q1H/WKY_NPF_October11_HR.jpg</image:loc>
      <image:title>REVIEWS - Wong Kit Yi // Futures, Again // P! Gallery, New York</image:title>
      <image:caption>Wong Kit Yi, October 11, 2015, a.m. / Emmetropia / Forbidden Red, 2015, Inkjet on archival paper, 32 x 24 inches. Private collection. Courtesy of the artist and P!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1492039694131-QVGZW0ELKYCZO5AYTZR8/WKY_NPF_October7_HR.jpg</image:loc>
      <image:title>REVIEWS - Wong Kit Yi // Futures, Again // P! Gallery, New York</image:title>
      <image:caption>Wong Kit Yi, October 7, 2015, a.m. / Famulus / Ultramarine, 2015, Inkjet on archival paper, 32 x 24 inches. Private collection. Courtesy of the artist and P!.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1492040471013-XCC3A2J28L1D9XUQQX91/image-asset.jpeg</image:loc>
      <image:title>REVIEWS - Wong Kit Yi // Futures, Again // P! Gallery, New York</image:title>
      <image:caption>Wong Kit Yi, October 14, 2015, a.m. / Chanticleer / Dragon's Blood, 2015, Inkjet on archival paper, 32 x 24 inches. Private collection. Courtesy of the artist and P!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1492041368065-BVXJ8KRWXZBTNA7XRM8W/image-asset.jpeg</image:loc>
      <image:title>REVIEWS - Wong Kit Yi // Futures, Again // P! Gallery, New York</image:title>
      <image:caption>Exhibition vide, Wong Kit Yi, Futures, Again, Photo: Sebastian Bach, Courtesy P!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/re-views/2017/4/6/seeking-civilization-art-and-cartography-at-gallery-wendi-norris</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1491496259352-FUIVAK2X6R52WG05WXDU/image-asset.jpeg</image:loc>
      <image:title>REVIEWS - Torn Seams and Sound Scores at Gallery Wendi Norris</image:title>
      <image:caption>Exhibition documentation of Adrien Segal, Grewingk Glacier, 2017, glacier water (2.25 gallons), unique silicon casting mold with two-part mother mold, and custom stone plinth with watch catchment. Miguel Angel Ríos work on far wall. Image courtesy of the artists and Gallery Wendi Norris, San Francisco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1491496514095-AZ9RDT04LBV30N0S3BMC/Galindo+Siguiendo+Los+Pasos+del+Nin%CC%83o+Perdido++Following+the+Steps+of+the+Lost+Child+Flag_DSC7849.jpg</image:loc>
      <image:title>REVIEWS - Torn Seams and Sound Scores at Gallery Wendi Norris - Guillermo Galindo</image:title>
      <image:caption>Siguiendo Los Pasos del Niño Perdido, 2017, acrylic on beacon flags used by humanitarian aid group Water Stations, 30 x 47 inches. Image courtesy of the artis and Gallery Wendi Norris, San Francisco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1491496506975-B4HUGGJS8QXYYFVN4YSI/Galindo+Cartografi%CC%81a+del+Espiritu+Cartography+of+the+Spirit+Flag_DSC7844.jpg</image:loc>
      <image:title>REVIEWS - Torn Seams and Sound Scores at Gallery Wendi Norris - Guillermo Galindo</image:title>
      <image:caption>Cartografía del Espiritu/Cartography of the Spirit, 2017, acrylic on beacon flags used by humanitarian aid group Water Stations, 30 x 47 inches. Image courtesy of the artist and Gallery Wendi Norris, San Francisco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1491496517190-U9SGZDKYZTEEP3B06ZXS/Galindo+20+Miles+East+of+Laredo+Flag_DSC7846.jpg</image:loc>
      <image:title>REVIEWS - Torn Seams and Sound Scores at Gallery Wendi Norris - Guillermo Galindo</image:title>
      <image:caption>20 Miles East of Laredo, 2017, acrylic on beacon flags used by humanitarian aid group Water Stations, 23 x 33 inches. Image courtesy of the artist and Gallery Wendi Norris, San Francisco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1491496165689-X465XPDY6C6Z1JUMSXT3/image-asset.jpeg</image:loc>
      <image:title>REVIEWS - Torn Seams and Sound Scores at Gallery Wendi Norris</image:title>
      <image:caption>Miguel Angel Ríos, Le Premier Voyage à L’inconnu, 1992-93, Cibachrome mounted on pleated canvas with push pins, 63 x 126 inches. Courtesy of the artist and Gallery Wendi Norris, San Francisco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1491496318513-SEZPGCNTAF4E76269VZI/image-asset.jpeg</image:loc>
      <image:title>REVIEWS - Torn Seams and Sound Scores at Gallery Wendi Norris</image:title>
      <image:caption>Exhibition documentation of Omar Mismar The Path of Love #03, 2013-2014, neon, 126 x 126 inches (left), Taraneh Hemami Recounting, 2011, pigment and inkjet prints on paper and vellum, wax, wood panels, 66 inches diameter, 7 inches deep (center) and Guillermo Galindo Siguiendo Los Pasos del Niño Perdido, 20 Miles East of Laredo, and Cartografía del Espiritu/Cartography of the Spirit, all 2017, acrylic on beacon flags used by humanitarian aid group Water Stations (right). Image courtesy of the artists and Gallery Wendi Norris, San Francisco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1491496582638-SKOIXUAFC04J67E382NZ/image-asset.jpeg</image:loc>
      <image:title>REVIEWS - Torn Seams and Sound Scores at Gallery Wendi Norris</image:title>
      <image:caption>Guillermo Galindo, Flauta de Paniagua (Paniagua Flute). Courtesy of the artist and Gallery Wendi Norris, San Francisco, photo by Richard Misrach.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/re-views/2017/3/26/totally-turned-on-entangled-in-celestial-bodies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1490558160219-EZBDSMU2PD5G7UNX3AFH/image-asset.jpeg</image:loc>
      <image:title>REVIEWS - Totally Turned On, Entangled in Celestial Bodies</image:title>
      <image:caption>Alice Combs, Total Turn On, Counterpulse, March 7, 2017. Photo by Robbie Sweeny.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1490558010102-JH09HIJX7DMUSTC5PI3C/image-asset.jpeg</image:loc>
      <image:title>REVIEWS - Totally Turned On, Entangled in Celestial Bodies</image:title>
      <image:caption>Alice Combs, Total Turn On, Counterpulse, March 7, 2017. Photo by Robbie Sweeny.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/re-views/2017/2/1/from-brim-to-base</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1485917585872-64TTSKFCLC3YXKA3B990/Picture4.png</image:loc>
      <image:title>REVIEWS - From Base to Brim: A Consideration of the Vessel</image:title>
      <image:caption>Installation shot, Manresa Gallery, San Francisco. Photograph courtesy of Arturo Araujo, SJ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1485918014968-5QD8PTPXGS6UC73QCDKW/image-asset.png</image:loc>
      <image:title>REVIEWS - From Base to Brim: A Consideration of the Vessel</image:title>
      <image:caption>Arturo Araujo, SJ and students, The Unforgotten, 2016. Photograph courtesy of Arturo Araujo, SJ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1485917721738-QLLPZWPRZJRVVAMG88FK/Picture6.png</image:loc>
      <image:title>REVIEWS - From Base to Brim: A Consideration of the Vessel</image:title>
      <image:caption>Detail: Arturo Araujo, SJ, I Need Someone to Pour Myself Into ~Sylvia Plath, 2009. Photograph courtesy of Arturo Araujo, SJ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1485918277349-RCU35V0OMMWXXS2NACPD/image-asset.jpeg</image:loc>
      <image:title>REVIEWS - From Base to Brim: A Consideration of the Vessel</image:title>
      <image:caption>Arturo Araujo, SJ, An Angel Has Passed, 2016. Photograph: Kathryn Barulich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1485917534338-WTADFJDREYIGUH8OQE6Q/image-asset.png</image:loc>
      <image:title>REVIEWS - From Base to Brim: A Consideration of the Vessel</image:title>
      <image:caption>Manresa Gallery, Saint Ignatius Church. Photograph: Kathryn Barulich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1485917279684-BDB73VAD41488PFXLIWB/Picture1.png</image:loc>
      <image:title>REVIEWS - From Base to Brim: A Consideration of the Vessel</image:title>
      <image:caption>Photograph: Arturo Araujo, SJ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1485917966614-MC7WOQPIULDPI9VQP2O8/Picture8.png</image:loc>
      <image:title>REVIEWS - From Base to Brim: A Consideration of the Vessel</image:title>
      <image:caption>Arturo Araujo, SJ and students, The Unforgotten, 2016. Photograph courtesy of Arturo Araujo, SJ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1485917684757-RGUNNCMOC6PQVD02KWG1/Picture5.png</image:loc>
      <image:title>REVIEWS - From Base to Brim: A Consideration of the Vessel</image:title>
      <image:caption>Arturo Araujo, SJ, I Need Someone to Pour Myself Into ~Sylvia Plath, 2009. Photograph courtesy of Arturo Araujo, SJ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1485918114122-GMZYRWZTD1BA369F38MP/image-asset.png</image:loc>
      <image:title>REVIEWS - From Base to Brim: A Consideration of the Vessel</image:title>
      <image:caption>Arturo Araujo, SJ and students, The Unforgotten, 2016. Photograph courtesy of Arturo Araujo, SJ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1485917493035-48D0O33ZUBBNV3G1Y6BV/Picture2.png</image:loc>
      <image:title>REVIEWS - From Base to Brim: A Consideration of the Vessel</image:title>
      <image:caption>Installation shot, Manresa Gallery, San Francisco. Photograph: Kathryn Barulich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1485917860988-Y0HPXGUEKJGEDQCTDTK8/image-asset.png</image:loc>
      <image:title>REVIEWS - From Base to Brim: A Consideration of the Vessel</image:title>
      <image:caption>Detail: Arturo Araujo, SJ, I Need Someone to Pour Myself Into ~Sylvia Plath, 2009. Photograph courtesy of Arturo Araujo, SJ.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/re-views/2017/1/23/mallrats-viewership-in-the-era-of-the-art-fair</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1484871021356-YZAQZLNNQZCY0S7OTUHN/msp1.jpg</image:loc>
      <image:title>REVIEWS - Mallrats: Viewership in the Era of the Art Fair</image:title>
      <image:caption>Minnesota Street Project, San Francisco, CA, 2016. Source: https://www.fastcoexist.com/3059359/this-clever-new-business-makes-art-studios-affordable-in-san-francisco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1484871447811-TGB03QVQ31JFANSJHUCB/mspartbookfair.jpg</image:loc>
      <image:title>REVIEWS - Mallrats: Viewership in the Era of the Art Fair</image:title>
      <image:caption>San Francisco Art Book Fair, Minnesota Street Project, San Francisco, CA, July, 2016. http://www.parklifestore.com/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1484866826605-VMRD6LRLFHBMU7VWKAB2/mall+rats+install+1.jpg</image:loc>
      <image:title>REVIEWS - Mallrats: Viewership in the Era of the Art Fair - Installation shot: Mallrats, Et al, etc. with 100% Gallery, Minnesota Street Project, San Francisco, CA, August 27 – September 24, 2016. Image courtesy of 100% Gallery.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1484866805648-OTIKWAX1YWPMPYKJTJND/mallrats+install+3.jpg</image:loc>
      <image:title>REVIEWS - Mallrats: Viewership in the Era of the Art Fair - Installation shot: Mallrats, Et al, etc. with 100% Gallery, Minnesota Street Project, San Francisco, CA, August 27 – September 24, 2016. Image courtesy of 100% Gallery.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1484866824858-FMNEDKS4KNDWA7Z0L2NC/Mallrats-11.jpg</image:loc>
      <image:title>REVIEWS - Mallrats: Viewership in the Era of the Art Fair - Installation shot: Mallrats, Et al, etc. with 100% Gallery, Minnesota Street Project, San Francisco, CA, August 27 – September 24, 2016. Image courtesy of 100% Gallery.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1484866825963-7GNV6G9QUS0586I7XF0M/Mallrats-20.jpg</image:loc>
      <image:title>REVIEWS - Mallrats: Viewership in the Era of the Art Fair - Installation shot: Mallrats, Et al, etc. with 100% Gallery, Minnesota Street Project, San Francisco, CA, August 27 – September 24, 2016. Image courtesy of 100% Gallery.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1484866826042-0KTXAF25U65ZXX6X8MWA/Mallrats-7.jpg</image:loc>
      <image:title>REVIEWS - Mallrats: Viewership in the Era of the Art Fair - Installation shot: Mallrats, Et al, etc. with 100% Gallery, Minnesota Street Project, San Francisco, CA, August 27 – September 24, 2016. Image courtesy of 100% Gallery.</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/re-views/2016/8/9/matthewgoldberg-offswitch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470973618031-2GAYQ8J62S904VPDL0Y1/image-asset.jpeg</image:loc>
      <image:title>REVIEWS - “The Off Switch” – James Turrell at Pace Gallery, Palo Alto</image:title>
      <image:caption>Photograph: Flickr Creative Commons. This work was not part of the Pace Gallery James Turrell 2016 exhibition, however, due to image licensing we were unable to reproduce an image from the show on this blog.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/re-views/category/Reviews</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/re-views/tag/Harper+Brokaw-Falbo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/re-views/tag/Tim+Kopra</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/re-views/tag/Matt+Goldberg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/re-views/tag/Christopher+Squier</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/re-views/tag/Kathryn+Barulich</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-01-06</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings/marking-myth-imagining-nowhere</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/d4396858-ef6e-4c85-a10f-94878496dd0c/Carl+Heidenreich_Carl+Karl_09_Marking+Myth_01.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Ma(r)king Myth, Imagining Nowhere: A German Exile's Alaskan Archive - Make it stand out</image:title>
      <image:caption>Carl Heidenreich, Untitled (Alaska Series), 1962. Watercolor and gouache. n.d. Collection of Karla Lortz. Courtesy of the Carl Heidenreich Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/07bae562-f161-4592-bd4c-ae3294481edc/WVZ1570+crop.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Ma(r)king Myth, Imagining Nowhere: A German Exile's Alaskan Archive - Make it stand out</image:title>
      <image:caption>CARL Heidenreich, Untitled, c. 1958–65. Mixed media on Japanese paper and hardboard. N.d. Collection of Patricia Recendez. Courtesy of the Carl Heidenreich Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings/the-anthrobscure</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/cb8a5f86-958d-4fe0-a152-7ed7afa77bff/030142022_Publication_Michel+Ge%CC%81rard+au+Creux+de+l%27Enfer-034.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground - Make it stand out</image:title>
      <image:caption>michel gérard, cross-section, 1989. mixed media including forged steel, burnt branches, leaves and plants, charcoal, coke, schist, shale, and anthracite in progressives sizes, sampled from the La Mure mines in Isère, France, with 42 forged steel elements. centre d’art contemporain du creux de l’enfer, thiers. courtesy of the michel gérard studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/104eee4e-a14b-44c3-98d2-c6f88d3b4d48/F.+Piasecki+-+View+6.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground - Make it stand out</image:title>
      <image:caption>Michael Heizer, City, 1970–2022. Courtesy Triple Aught Foundation. Photo: Eric Piasecki</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/f299829c-58ce-48d4-8ec1-a67a4f6602f7/972cabb598f8008b0ca812e56ffd71a9.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground - Make it stand out</image:title>
      <image:caption>michel gérard, Averroës, 1976. dechromed sculpture. installation view. courtesy of the michel gérard studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/31650864-bd55-4582-823a-c30d0cdceb24/spiral+jetty+140269b1v1.jpeg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground - Make it stand out</image:title>
      <image:caption>robert smithson, spiral jetty, 1970. Great Salt Lake, Utah. Mud, precipitated salt crystals, rocks, water. 1,500 ft. (457.2 m) long and 15 ft. (4.6 m) wide. photograph: gianfranco gorgoni, Building Spiral Jetty with truck and bulldozer, Great Salt Lake, Utah, 1970</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1672953298043-AKWD4CKGY6GYGN3GBRQF/migrating+particles%2C+painting+copy_3_.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1672953298829-FEMRTKYSYMAW3FDGQ3O3/06192021_Slide_049+sm.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1674567717487-OE10LEL9XXTFUUK7F0XH/01282022_Scan_1311+related.jpeg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1674567756299-V51MOY9XF9DMFL1LBVND/01282022_Scan_1311.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1674568004191-R7WIGJ5XC5S6C0TGXV2X/01312022_Scan_1328.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/2d636870-41bc-4119-8cc9-ef7695aa2217/Persian+rug.jpeg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground - Make it stand out</image:title>
      <image:caption>MICHEL GÉRARD, PERSIAN RUG, 1991–95. mixed media: wood, earth, steel, aluminum, fox fur. 200 CM IN DIAMETER. COURTESY OF THE MICHEL GÉRARD STUDIO</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1672953795251-DBQXH28E84K7Q8S3C3FD/FRENCH+ROAST.jpeg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1672953794179-1KG3V73JQZNQYC33FJ3X/NIGHT+NAVIGATION.jpeg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1672953792385-2O6PPRA19BWMJNO2SRHH/DESERT+MONSTER.jpeg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1672953792883-XV7LZ089RJXXOX8QPY72/FIRE+ELEMENTS.jpeg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/20a838e5-71d0-4d47-80f9-da7019c5725d/Smithson-Asphalt_Rundown-07-2048pxW+crop+01052023.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground - Make it stand out</image:title>
      <image:caption>detail of Robert Smithson, Asphalt rundown, 1969. Cava dei Selce, Rome, Italy. Asphalt, earth. Sculptural Event. CREDIT: Holt/Smithson Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/a94d60b5-8d46-4f48-beb0-d0278dcc5966/07162021_Slide_643.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground - Make it stand out</image:title>
      <image:caption>michel gérard, ouranos, 1988. installation: coal. Gaillac, France. courtesy of the michel gérard studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1672951726947-QQ7VA2YOK9V2FT886AFX/07092021_Slide_399+1988+View+through+the+Pit.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1672952182925-6QGEWFHU5W99FTMO5S0X/07192021_Slide_744.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1672952218429-EKQK9G7J27OIU7R93CFF/bc1e79c98317f768571952c035c03a68.jpeg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1672952222215-7HAS4H6PQNCGRDYGOYAH/Voyage+au+centre+de+la+saar.jpeg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1672952256102-4U0PM17YDHWS5LS9N9OZ/6a54f8b646229f4d96232e0888f810cc.jpeg</image:loc>
      <image:title>CREATIVE MUSINGS - The Anthrobscure: Earthworks, Coal Mines, and Michel Gérard’s Geological Investigations of the Underground</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings/covid-19-and-immersive-installation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/6ede7575-9c1d-4494-b9b4-5f350c9029f5/3.+Annette+Messager%2C+Penetration+%28Pe%CC%81ne%CC%81tration%29%2C+1992-94.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables" - Make it stand out</image:title>
      <image:caption>Annette Messager, Penetration (Pénétration), 1992-94. Sculptures, installation, cotton stuffed with polyester, angora wool, nylon, electric lights. installation (variable). Monica Sprüth Gallery, Cologne (1994-95). Image from Annette Messager: the messengers, Prestel, 2007.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/c55b4244-a21b-4db0-9cdc-aa1fa50c14e5/11.+Penetration+installation+view+from+Museum+of+Contemporary+Art%2C+Australia.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables" - Make it stand out</image:title>
      <image:caption>Penetration installation view from Museum of Contemporary Art, Australia from the exhibition annette messager: motion/emotion, july–october 2014. image from exhibition essay by curator rachel kent.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/633348f6-0243-44af-97d7-3ef2bf155256/35.+Annette+Messager%2C+Penetration%2C+1993-94.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667864008891-OGEIK7F6FJU1RWZYID3X/21.+Coronavirus+Covid-19+Plush+Toy.+Drew+Oliver%E2%80%99s+Giant+Microbes.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667864008892-9DITMW59H2KFI13NAEDR/22.+Toy+Book+Virus+Smasher.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667864009555-KVZSNN8DQ8HEMDMW9VC7/23.+DIY+Knitted+Covid+Virus+%E2%80%93+Etsy.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667864009576-67LDF8BW8DPFXN3EX0KH/24.+A+burger+shaped+as+the+coronavirus+at+a+restaurant+in+Hanoi%2C+Vietnam.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667864010078-9992WYDO2TA5XF3J3PXQ/25.+Master+confectioner+Torsten+Roth+with+Corona+Antibody+Pralines%2C+Erfurt%2C+Germany.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/2a8ceee9-36f5-4702-b992-a6e4611c2a54/36.+Annette+Messager%2C+Penetration+%28Pe%CC%81ne%CC%81tration%29%2C+1992-94.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables" - Make it stand out</image:title>
      <image:caption>Annette Messager, Penetration (Pénétration), 1992-94. sculptures, installation, cotton stuffed with polyester, angora wool, nylon, electric lights. installation (variable: 500 h x 500 w x 1100 cm). national gallery of australia, april 1996.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667863924192-X7WJX9OF5ZSCYELG5426/14.+Several+television+news+programs+with+stage+design+and+illustrations+of+SARS-CoV-2.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667863924042-8PVZ367PKDYRXGSS1U8V/15.+Coronavirus+inspired+street+art+by+Rebel+Bear%2C+Glasgow%2C+Scotland.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667863924560-PG8P4T2E1I8GL7QXT5MS/16.+Cartoon+by+Bob+Eckstein.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667863924635-QVEGJJFV8REU2AGAAJGQ/17.+Plante%2C+Tulsa+World%2C+March%2C+2020.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667863925019-Z0YFN0XSDE9TK5H1T8D6/18.+Artist-+SizeTwo%2C+location+unknown.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667863925140-V601027PPRA7FX2N3D1P/19.+Gaza+City%2C+2020.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667863925519-MJ8PYCI6NUJL3CFAX1PQ/20.+You+don%E2%80%99t+scare+me+by+Siwela%2C+published+in%C2%A0The+Citizen%2C+South+Africa.+2+March+2020.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/06184aed-15e6-4c4b-a277-394368d7d94a/13.+Illustration+of+Severe+Acute+Respiratory+Syndrome+coronavirus+2+%28SARS-CoV-2%29.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables" - Make it stand out</image:title>
      <image:caption>Illustration of Severe Acute Respiratory Syndrome coronavirus 2 (SARS-CoV-2). Alissa Eckert, MSMI, Dan Higgins, MAMS. Centers for Disease Control and Prevention, Public Health Image Library, ID # 23312. Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667864104154-4T8S2RMW06BYJT9ECQT5/26.+Virus-themed+headwear+on+officials+in+India.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667864104153-D8OIC5M6XGT6E0AGIIJV/27.+Chennai%2C+India.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667864105029-UKAKN1L87H0XHO0EHWXS/28.+Police+officers+in+Indonesia.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667864105251-38PSUJAF7BXF69KIJ0C2/29.+An+Indian+traffic+cop+in+Bangalore.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667864105733-MGQFXAPPH75QK1KW5YKF/30.+La+Paz+Bolivia%2C+2020.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1667864106277-E9AJ8HPKA8SZM5NLAMDN/31.+A+police+officer+dressed.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables"</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/2d194382-1771-4c8b-a364-2049b0bac666/34.+Annette+Messager%2C+Penetration%2C+1993-94.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/91713f6c-9ab1-4e68-bd9a-0cf4cb72f6cc/12.+Transmission+electron+microscopic+image+of+an+isolate+from+the+first+U.S.+case+of+COVID-19.png</image:loc>
      <image:title>CREATIVE MUSINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables" - Make it stand out</image:title>
      <image:caption>Transmission electron microscopic image of an isolate from the first U.S. case of COVID-19, formerly known as 2019-ncov. cdc / cynthia s. goldsmith and a. tamin. public domain.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings/boys-fight</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/a11b6b9f-5b65-4e6b-9964-54771bf416a3/phrase-image-5rr.png</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/75b46f2d-3f92-4474-b128-e990bb49cc42/phrase-image-14r.png</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/c390d6d3-c9c7-40a5-adf3-1a15aba88d80/07262021_BoysFight_004.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/519cb05b-2633-42c6-b80e-f64fa1b7a557/07262021_BoysFight_009.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/c7b8663c-618f-4e5e-8a4c-e45a74266be5/07262021_BoysFight_007.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/0145e798-9af5-4d88-8c34-d037a1728824/phrase-image-10r.png</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/08a9343f-5645-4421-935a-a2308247b663/07262021_BoysFight_013.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/edfef25d-bf75-4bdd-8003-1eb8a5ac8c4d/phrase-image-6r.png</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/9e040ac6-0749-4752-bc36-50ecc11d0b59/07262021_BoysFight_012.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/09fde8e9-1154-46bc-b8e0-73c482831f48/07262021_BoysFight_011.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/dcf01592-88dc-4e16-ae0d-ea762ed574b1/phrase-image-2rr.png</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/3e616732-3801-4a55-ad7f-c11aa9da655c/07262021_BoysFight_010.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/927fa5f5-edd2-4022-8dbf-d0927b176c26/07262021_BoysFight_001.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/d9ce21da-b680-41d5-9075-aa50fba40c1b/07262021_BoysFight_002.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/83484db8-b62b-4893-bb8f-285d228dc0f1/phrase-image-4r.png</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/c192845f-3cf2-4f9f-a173-7a76d342d3d7/phrase-image-12rr.png</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/60af1ac7-b0c8-4ea7-be63-bb202be02aa8/phrase-image-3r.png</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/d3370228-fced-49d7-a491-9e97a824015b/phrase-image-13r.png</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/25273cbd-8c88-49c4-b4db-c4c0b87835cf/phrase-image-11rr.png</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/b231817b-c6be-4497-a70a-968ca643834e/phrase-image-7r.png</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/a7a3ffef-72cc-4fbb-a236-0f56087eb965/07262021_BoysFight_016.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/304a30ff-c5c4-475b-aa7a-88dba195e34e/phrase-image-15r.png</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/dba4a8bf-57ca-4aca-a170-9a4d08fe3fa1/07262021_BoysFight_005.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/0704f371-97fe-4d8f-bb97-7c4d0d05696d/07262021_BoysFight_008.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/6a0939f3-719f-40b5-8e45-87bbb953bcd5/phrase-image-9rr.png</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/3abf37dd-714d-47f7-8fbb-e8b853fc5f3b/phrase-image-8r.png</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/bc819471-5d1f-4c94-a655-3988f396d422/07262021_BoysFight_014.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/00922509-7c84-43de-8443-bc9bb6c9c7d9/07262021_BoysFight_015.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/5e7b546c-757e-4cc4-b5e5-87bfb125011a/phrase-image-1rr.png</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/57c7bf82-215f-422c-b86f-ff97821e3ec3/07262021_BoysFight_006.jpg</image:loc>
      <image:title>CREATIVE MUSINGS - Boys Fight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings/2017/6/28/que-se-coman-techno-tropicality</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1498689375883-R9BNPJ5J0E92Q98JSQU8/image-asset.png</image:loc>
      <image:title>CREATIVE MUSINGS - Que se coman: Techno-Tropicality in Tomasa Del Real’s Visual Reggaeton</image:title>
      <image:caption>Arena Modernísima by Tomasa del Real, 2016. Courtesy of Tomasa del Real. Video still by Enciclopediacolor.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings/2017/3/8/meditation-on-the-life-and-death-of-an-american-monster</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-04-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1489118293010-DOX0LRD2I4E2BGZ5R48C/image-asset.jpeg</image:loc>
      <image:title>CREATIVE MUSINGS - Meditation on the Life (and Death) of an American Monster</image:title>
      <image:caption>Eric Yahnker, Honorable Discharge, 2015, pastel on paper, 48 x 48 in, http://www.ericyahnker.com.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings/2016/11/2/between-development-and-a-hard-place-the-future-of-a-diverse-artistic-community-in-oakland</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1478149720996-1GWYN4290TCYL1SC59HA/image-asset.jpeg</image:loc>
      <image:title>CREATIVE MUSINGS - Between Development and a Hard Place: The Future of a Diverse Artistic Community in Oakland</image:title>
      <image:caption>"Oakland Tribune", Ryan Johnson, 2016.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings/2016/8/21/miami-un-memento-mori-para-ti</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1472677531218-6XTTYYJUXFJKJ5UK1R4O/image-asset.jpeg</image:loc>
      <image:title>CREATIVE MUSINGS - Miami: un memento mori para ti</image:title>
      <image:caption>Photograph: Cristina Victor</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings/tag/Harper+Brokaw-Falbo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings/tag/Marina+T%C3%ABmkina</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings/tag/Matt+Goldberg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings/tag/Christopher+Squier</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings/tag/Sofia+Villena+Araya</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings/tag/Kathryn+Barulich</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/creative-musings/tag/Jackie+Valle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-20</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/primajalichandra-sakuntabhai</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522778140298-P5MA7ZANME0F5PEW9IYC/Le+Corbusier+entering+Hadrian%27s+Mole.jpg</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages</image:title>
      <image:caption>Prima Jalichandra-Sakuntabhai, Le Corbusier Entering Hadrian's Mausoleum, 1965, 2018. Black and white prints on transparencies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522799131521-1IFX7ODBEC5CBN3WGKHD/Screen+Shot+2018-03-29+at+1.20.23+PM.png</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522799135418-K7AG9ISW1A7AGGKQGJKT/Screen+Shot+2018-03-29+at+1.21.22+PM.png</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522799139654-FPT94YFMZEC79PMO2PPD/Screen+Shot+2018-03-29+at+1.47.51+PM.png</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522776680152-5C83B8Q2GMQ2Z9LKQXND/Screen+Shot+2018-03-28+at+3.46.56+PM.png</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages - Screenshot: Prima Jalichandra-Sakuntabhai, (Site) Specificity III, 2017.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522776662473-E9UUNUS1731OW356514C/Screen+Shot+2018-03-28+at+3.58.22+PM.png</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages - Screenshot: Prima Jalichandra-Sakuntabhai, (Site) Specificity III, 2017.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522776685467-NJY188DWW1EJTK0IPK04/Screen+Shot+2018-03-28+at+3.47.27+PM.png</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages - Screenshot: Prima Jalichandra-Sakuntabhai, (Site) Specificity III, 2017.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522776983983-Z2WZZ9OV3IGWXWUB64MF/Hadrian_and_Antinous_bust_British_Museum.jpg</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages - Adjacent busts of Emperor Hadrian and Antinous exhibited at the British Museum, London.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522776987856-GLU7GIVEUME5QL5TDU2B/James+B.+Heidel+at+Antinoupolis.jpg</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages - James B. Heidel, archaeologist and president of the Antinoupolis Foundation at Antinoupolis, Egypt, 2016. Art Institute of Chicago website.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522777704590-68DNA3Z8F05NRDMRSK7Z/Only+Hands....jpg</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages - Prima Jalichandra-Sakuntabhai, Only Hands, 2017. Black and white print on transparencies.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522777692965-7D1SG9TPXTI4RTGNCZYO/Face+to+Face.jpg</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages - Prima Jalichandra-Sakuntabhai, Face to Face, 2017. Black and white print on transparencies.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522777676513-03UYL65688UF22H8SHK6/Decapitation.jpg</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages - Prima Jalichandra-Sakuntabhai, Head, 2017. Black and white print on transparencies.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522777697791-BCP1VKS1YOEKQ33IPZFM/Mask.jpg</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages - Prima Jalichandra-Sakuntabhai, Mask, 2017. Black and white print on transparencies.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522777704896-2N4JCFQ0DJIHWWR579EX/Head.jpg</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages - Prima Jalichandra-Sakuntabhai, Head, 2017. Black and white print on transparencies.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522778433600-YVSTPM4ZYTRBGU37U8F4/mausoleum-hadrian-640x480.jpg</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages - Emperor Hadrian, The Mausoleum of Hadrian, completed by Antonius Pius, 139 AD. Archeaology Travel.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522778430159-GS39E67QG2IOWJIF9SYA/charney_three_tower_sketch1+%281%29.jpg</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages - Fantastical interpretation of Marina City sketched by George Charney.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522778432200-S5BP3X8QGGNKD7HPXXBS/Marina+City_today.jpg</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages - Bertrand Goldberg, Marina City, 1964. Chicago, IL, USA. Image credit: Andrew Kroll, Architecture Daily, November 10, 2010.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1522778433291-1Y1YZ3BLC4790FZXWABS/lecorbassemblyhall_chandigarh.jpg</image:loc>
      <image:title>INTERVIEWS - Slicing History:  Prima Jalichandra-Sakuntabhai’s performative lectures and collages - The Assembly Hall designed by Le Corbusier. (Eduardo Guiot/Flickr, CC BY 2.0)</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/elevenhoursinterview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506041556157-CPZUWN4DVELKT7RDMU1E/interview.JPG</image:loc>
      <image:title>INTERVIEWS - Shaghayegh Cyrous with Kathryn Barulich and Christopher Squier (time/difference: Part I)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506280658925-SK0HBDWIZWUNYYI0F8LY/Blowing.JPG</image:loc>
      <image:title>INTERVIEWS - Shaghayegh Cyrous with Kathryn Barulich and Christopher Squier (time/difference: Part I) - Although the Wind, a video installation by Shirin Abedinirad and Dionne Lee. Image: Aaron Rosenstreich, courtesy of Shaghayegh Cyrous.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506042611418-0GCSVFDC590MAY02K28E/dionne+2.JPG</image:loc>
      <image:title>INTERVIEWS - Shaghayegh Cyrous with Kathryn Barulich and Christopher Squier (time/difference: Part I)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506042797885-KX0OANDE3YWG3JDGLKQA/Install+1.JPG</image:loc>
      <image:title>INTERVIEWS - Shaghayegh Cyrous with Kathryn Barulich and Christopher Squier (time/difference: Part I)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506042798925-N2UCSZGUH43YJ3NAP7VY/-ASG47+Cardfront+%282%29.jpg</image:loc>
      <image:title>INTERVIEWS - Shaghayegh Cyrous with Kathryn Barulich and Christopher Squier (time/difference: Part I) - Postcard, Eleven and a Half Hours, Aggregate Space Gallery, Oakland, August 18-September 23, 2017. Image courtesy Aggregate Space Gallery.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506043876834-3YXWGGG9GTXKKFK5GGPS/IMG_0774.JPG</image:loc>
      <image:title>INTERVIEWS - Shaghayegh Cyrous with Kathryn Barulich and Christopher Squier (time/difference: Part I)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506043875980-XCBHKJDC49OL7MV1OJJZ/IMG_0779.JPG</image:loc>
      <image:title>INTERVIEWS - Shaghayegh Cyrous with Kathryn Barulich and Christopher Squier (time/difference: Part I)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506043386700-MWB80IEKLGGMY6S0ML70/25+Dec%2C+2016%2C+12_00+PM+.JPG</image:loc>
      <image:title>INTERVIEWS - Shaghayegh Cyrous with Kathryn Barulich and Christopher Squier (time/difference: Part I) - Shaghayegh Cyrous, 12:00 PM __________ ١٢:٠٠ ظهر December, 25, 2016  __________٥ دى ١٣٩٥ Tehran, Iran__________  تهران، ايران, printed photograph, 2016. Image courtesy of the artist.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506043387588-F7C3TVI1V042VA77HNFV/Feb+14%2C+2017%2C+11_40+AM.jpg</image:loc>
      <image:title>INTERVIEWS - Shaghayegh Cyrous with Kathryn Barulich and Christopher Squier (time/difference: Part I) - Shaghayegh Cyrous, 11:40 AM __________ ١١:٤٠ صبح February, 14, 2017 __________ ٢٦ بهمن ١٣٩٥ Tehran, Iran __________ تهران، ايران, printed photograph, 2017. Image courtesy of the artist.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506043388028-H3QAD8LPETBLG4EE2XTR/Feburary+3%2C+2017+5_20+PM.jpg</image:loc>
      <image:title>INTERVIEWS - Shaghayegh Cyrous with Kathryn Barulich and Christopher Squier (time/difference: Part I) - Shaghayegh Cyrous, 11:40 AM __________ ١١:٤٠ صبح February, 14, 2017 __________ ٢٦ بهمن ١٣٩٥ Tehran, Iran __________ تهران، ايران, printed photograph, 2017. Image courtesy of the artist.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506043388578-S967N8UKN60AYEMKWMWJ/Jan%2C02%2C17%2C+3_00+PM+Clean+sky.JPG</image:loc>
      <image:title>INTERVIEWS - Shaghayegh Cyrous with Kathryn Barulich and Christopher Squier (time/difference: Part I) - Shaghayegh Cyrous, 3:00 PM, Clear Sky __________ ٣:٠٠ بعدازظهر January, 02, 2017___________١٣ دى ١٣٩٥ Tehran, Iran__________ تهران، ايران, printed photograph, 2017. Image courtesy of the artist.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506280756570-0X413Q1BJWYZC1UME8SA/Before-Getting-on-With-the--1180x1770.jpg</image:loc>
      <image:title>INTERVIEWS - Shaghayegh Cyrous with Kathryn Barulich and Christopher Squier (time/difference: Part I)</image:title>
      <image:caption>Before Getting On With the World Again, Shirin Abedinirad and Dionne Lee. Image: Aaron Rosenstreich, courtesy of Shaghayegh Cyrous.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506120699736-GBFOYU9830R0XIBL0ZHQ/langproject1.jpg</image:loc>
      <image:title>INTERVIEWS - Shaghayegh Cyrous with Kathryn Barulich and Christopher Squier (time/difference: Part I)</image:title>
      <image:caption>Shaghayegh Cyrous/Magdalena Jadwiga Härtelová, The Language Project, VIP Golden Class Language Breakfast, Jane Addams Hull House Museum, Open Engagement, Chicago, IL, 2017. Image courtesy of Shaghayegh Cyrous.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506280363683-IBPDUDRVGO8FB96XBMFG/IMG_0797.JPG</image:loc>
      <image:title>INTERVIEWS - Shaghayegh Cyrous with Kathryn Barulich and Christopher Squier (time/difference: Part I) - Installation photo: Shirin Abedinirad, Isfahan Song, 2013. Video installed underneath the stairs, Aggregate Space Gallery, Oakland, CA, 2017. Image:  Watch the video. </image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1506280324538-Z6Y3PL8JJCHW34WF39OD/underthestairs_install.JPG</image:loc>
      <image:title>INTERVIEWS - Shaghayegh Cyrous with Kathryn Barulich and Christopher Squier (time/difference: Part I)</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/2017/9/18/interview-matt-goldberg-and-cathy-lu-at-recology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505773881242-XPL9DNLF9M1FAVR1O4MK/3.png</image:loc>
      <image:title>INTERVIEWS - Interview with Cathy Lu at Recology</image:title>
      <image:caption>Cathy Lu studio, Recology, San Francisco, 2017. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505773505181-DK6ZMWB1U4T66LWSE7KY/1.png</image:loc>
      <image:title>INTERVIEWS - Interview with Cathy Lu at Recology</image:title>
      <image:caption>Cathy Lu studio, Recology, San Francisco, 2017. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505773575496-PWZQMFKZR3YY3J9Z7420/2.png</image:loc>
      <image:title>INTERVIEWS - Interview with Cathy Lu at Recology</image:title>
      <image:caption>Cathy Lu studio, Recology, San Francisco, 2017. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505773915841-5NEHLKE56JH1AW5AKHRF/4.png</image:loc>
      <image:title>INTERVIEWS - Interview with Cathy Lu at Recology</image:title>
      <image:caption>Cathy Lu studio, Recology, San Francisco, 2017. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505774008270-U4T2S1H9L2CAP8YK2799/5.png</image:loc>
      <image:title>INTERVIEWS - Interview with Cathy Lu at Recology</image:title>
      <image:caption>Cathy Lu, Treasure Case, 2016, ceramic, wood, concrete blocks, 102 x 108 x 16 in. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505864243845-H7N9EENGPDXTOAC98XU2/7.png</image:loc>
      <image:title>INTERVIEWS - Interview with Cathy Lu at Recology</image:title>
      <image:caption>Cathy Lu studio, Recology, San Francisco, 2017. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/2017/9/19/interview-with-erik-scollon-at-recology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505857807923-8LH2J3I6CSHIETT40CWH/5.png</image:loc>
      <image:title>INTERVIEWS - Interview with Erik Scollon at Recology</image:title>
      <image:caption>Erik Scollon studio, Recology. Image Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505857847090-JYL8EE0DF78I4OFDBQA7/6.png</image:loc>
      <image:title>INTERVIEWS - Interview with Erik Scollon at Recology</image:title>
      <image:caption>Erik Scollon studio, Recology. Image Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505857697295-095QZ30OIMI4DUV03OKM/3.png</image:loc>
      <image:title>INTERVIEWS - Interview with Erik Scollon at Recology</image:title>
      <image:caption>Peter Voulkos at his Glendale Boulevard studio. Image: the getty museum. http://blogs.getty.edu/pacificstandardtime/files/2011/08/PeteAtGlendale-Blvd-studio_1959.jpg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505857630869-EFZE9OOF2SB6UCJUEPU1/2.png</image:loc>
      <image:title>INTERVIEWS - Interview with Erik Scollon at Recology</image:title>
      <image:caption>Erik Scollon studio, Recology. Image Courtesy of Matt Goldberg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505857751737-7Q25E16PMA06MM921GX6/4.png</image:loc>
      <image:title>INTERVIEWS - Interview with Erik Scollon at Recology</image:title>
      <image:caption>Edith Heath. Image: Atomic Ranch. https://www.atomic-ranch.com/wp-content/uploads/2016/04/edith-heath-1.jpg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1505857519939-F1JXA8486I0ZVADWDG03/1.png</image:loc>
      <image:title>INTERVIEWS - Interview with Erik Scollon at Recology</image:title>
      <image:caption>ERIK SCOLLON STUDIO, RECOLOGY. IMAGE COURTESY OF the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/2017/5/10/why-and-how-to-collect-art-rsf-in-conversation-with-dissolve-magazine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494475459260-67KB63CXM92Q0Z41Z39M/YCC_5.jpg</image:loc>
      <image:title>INTERVIEWS - Why and How to Collect Art - Tamra Seal, Post-Muybridge II, 2017, found rubber toy in acrylic casing, 6.5 x 15.5 x 3.5 inches. Young Collectors Club, R/SF projects, San Francisco, April 29, 2017. Image courtesy of R/SF projects.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494475460429-U7QCM81YCR73I96SU5G8/YCC_6.jpg</image:loc>
      <image:title>INTERVIEWS - Why and How to Collect Art - Installation: Young Collectors Club, R/SF projects, San Francisco, April 29, 2017. Image courtesy of R/SF projects.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494475460598-YHMBS7E1OEEQ52VZ5HYR/YCC_7.jpg</image:loc>
      <image:title>INTERVIEWS - Why and How to Collect Art - Laura Rokas, I'll Give You a Reason To Cry, 2016.</image:title>
      <image:caption>Cotton embroidery floss, synthetic hair, star studs, faux fur, 8 x 15 inches, courtesy of Guerrero Gallery. Young Collectors Club, R/SF projects, San Francisco, April 29, 2017. Image courtesy of R/SF projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494475462241-XALV3V9OSSTZKMAVZZPV/YCC_8.jpg</image:loc>
      <image:title>INTERVIEWS - Why and How to Collect Art</image:title>
      <image:caption>Nando Alvarez-Perez, Still Life 040316/040616 (Hhoundstooth), 2016, olive wash walnut frame, plexiglass, eggshell mat board, archival pigment print, 19.5 x 25 inches. Young Collectors Club, R/SF projects, San Francisco, April 29, 2017. Image courtesy of R/SF projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494475459203-PPIAI1PN8H1ZYCRUQCAZ/YCC_4.jpg</image:loc>
      <image:title>INTERVIEWS - Why and How to Collect Art - Kaitlin Trataris, Lauren Licata, and Anička Vrána-Godwin (co-founders R/SF projects), Young Collectors Club, R/SF projects, San Francisco, April 29, 2017. Image courtesy of R/SF projects.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494475462127-PCHDZPY725652ITEWX20/YCC_9.jpg</image:loc>
      <image:title>INTERVIEWS - Why and How to Collect Art</image:title>
      <image:caption>Maryam Yousif, Doesn't Hold Water, 2017, glazed ceramic wall hanging, 17 x 13 x 0.5 inches. Young Collectors Club, R/SF projects, San Francisco, April 29, 2017. Image courtesy of R/SF projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494475462650-722K04ROUOZGY72O8J2L/YCC_10.jpg</image:loc>
      <image:title>INTERVIEWS - Why and How to Collect Art</image:title>
      <image:caption>Installation, Young Collectors Club, R/SF projects, San Francisco, April 29, 2017. Image courtesy of R/SF projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494475051450-KWMMP4W9RC6ZFWECAV0N/YCC_2.jpg</image:loc>
      <image:title>INTERVIEWS - Why and How to Collect Art</image:title>
      <image:caption>Installation: Marcela Pardo Ariza, Loose Attempt to a Vertical Water(bed), 2016, archival inkjet print in handmade oak and ash wood frame, 16 x 20 inches. Young Collectors Club, R/SF projects, San Francisco, April 29, 2017. Image courtesy of R/SF projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494475298822-5R7PUGTK2OOMCOYM53MR/Young+Collectors+Club%2C+R%2FSF+projects%2C+San+Francisco%2C+April+29%2C+2017.+Image+courtesy+of+R%2FSF+projects.</image:loc>
      <image:title>INTERVIEWS - Why and How to Collect Art</image:title>
      <image:caption>Young Collectors Club, R/SF projects, San Francisco, April 29, 2017. Image courtesy of R/SF projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1494475140061-EY0HTPP0VT9OAAFDU7S2/Young+Collectors+Club%2C+R%2FSF+projects%2C+San+Francisco%2C+April+29%2C+2017.+Image+courtesy+of+R%2FSF+projects.</image:loc>
      <image:title>INTERVIEWS - Why and How to Collect Art</image:title>
      <image:caption>Panel Discussion, Rob Canali and Lauren Licata (co-founder and Director, R/SF projects), Young Collectors Club, R/SF projects, San Francisco, April 29, 2017. Image courtesy of R/SF projects.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/2017/2/8/footnotes-ostrich-feather-wedding-dress</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486524407664-ZGQ2TEKYSI000CV53ZZM/OFWDP+01.jpg</image:loc>
      <image:title>INTERVIEWS - Footnotes on the Ostrich Feather Wedding Dress Project: Wearing the Beast</image:title>
      <image:caption>Photograph of ostriches in Ohio, 1996. Image courtesy of Lorna Stevens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486527997525-RMHO8KK1H2PO6OL8FXRM/OFWDP+05.jpg</image:loc>
      <image:title>INTERVIEWS - Footnotes on the Ostrich Feather Wedding Dress Project: Wearing the Beast</image:title>
      <image:caption>Deflated balloons and feathers in the studio of Joanne Easton, 2016. Photograph: Christopher Squier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486527978784-MI36X6BR13BTAWQSYZTC/OFWDP+04.JPG</image:loc>
      <image:title>INTERVIEWS - Footnotes on the Ostrich Feather Wedding Dress Project: Wearing the Beast</image:title>
      <image:caption>Marcela Pardo Ariza, Between the Scalpel and the Ring, 2016, 11 x 16 inch, archival inkjet print. Image courtesy of Lorna Stevens and Joanne Easton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486528389182-G9YS2ABHWOZ5O062MK9U/OFWDP+07.JPG</image:loc>
      <image:title>INTERVIEWS - Footnotes on the Ostrich Feather Wedding Dress Project: Wearing the Beast</image:title>
      <image:caption>Experimental piece in the studio of Joanne Easton, 2016. Photograph: Christopher Squier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486527934475-YN6LNKFUUDCPLZWPWJYC/image-asset.jpeg</image:loc>
      <image:title>INTERVIEWS - Footnotes on the Ostrich Feather Wedding Dress Project: Wearing the Beast</image:title>
      <image:caption>Loose feathers in the studio of Joanne Easton, 2016. Photograph: Christopher Squier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486528314589-EKT8XTMPL06IVC0XERPY/OFWDP+08.JPG</image:loc>
      <image:title>INTERVIEWS - Footnotes on the Ostrich Feather Wedding Dress Project: Wearing the Beast</image:title>
      <image:caption>Tools in the studio of Joanne Easton, 2016. Photograph: Christopher Squier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486528262782-W50Y391IODK2695LDYX8/OFWDP+11.jpg</image:loc>
      <image:title>INTERVIEWS - Footnotes on the Ostrich Feather Wedding Dress Project: Wearing the Beast</image:title>
      <image:caption>Hadar Kleiman, Feather Flare, 2016, 16 x 16 x 1 inch, vinyl print on plastic laminate. Image courtesy of Lorna Stevens and Joanne Easton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486528335540-PS3X1KW7ITSZLW0YZ7RD/image-asset.jpeg</image:loc>
      <image:title>INTERVIEWS - Footnotes on the Ostrich Feather Wedding Dress Project: Wearing the Beast</image:title>
      <image:caption>Various bird products in the studio of Joanne Easton, 2016. Photograph: Christopher Squier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486528275983-M68YDJZXDI9B6LZ9WJGC/image-asset.jpeg</image:loc>
      <image:title>INTERVIEWS - Footnotes on the Ostrich Feather Wedding Dress Project: Wearing the Beast</image:title>
      <image:caption>Katherine Vetne, Glass Orb, 2016, 9x10 inch, silverpoint on prepared paper. Image courtesy of Lorna Stevens and Joanne Easton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486525000020-ERWGDBGX1M3BN1ACAXBD/OFWDP+03.JPG</image:loc>
      <image:title>INTERVIEWS - Footnotes on the Ostrich Feather Wedding Dress Project: Wearing the Beast</image:title>
      <image:caption>Collected objects on a work desk in the studio of Joanne Easton, 2016. Photograph: Christopher Squier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1486524554020-21BLRZUBNCEBA9U1PY9G/OFWDP+02.JPG</image:loc>
      <image:title>INTERVIEWS - Footnotes on the Ostrich Feather Wedding Dress Project: Wearing the Beast</image:title>
      <image:caption>Balloons and ostrich egg displayed in the studio of Joanne Easton, 2016. Photograph: Christopher Squier.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/2016/8/13/dadasea-an-interview-with-frederick-young-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1470713989637-CLLLUPL5F7UQBY6JNPY4/image-asset.png</image:loc>
      <image:title>INTERVIEWS - Dada@Sea: An Interview with Frederick Young</image:title>
      <image:caption>Linus Lancaster and Frederick Young, Dada at dive bar getting off from Dada work, 2016. Image courtesy of Frederick Young.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/category/Footnotes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/category/Interviews</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/tag/Christopher+Squier</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/tag/Prima+Jalichandra-Sakuntabhai</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/tag/Cathy+Lu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/tag/Erik+Scollon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/tag/Matt+Goldberg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/tag/R%2FSF</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/tag/Kathryn+Barulich</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/tag/Joanne+Easton</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/tag/Shaghayegh+Cyrous</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/inter-views/tag/Lorna+Stevens</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/bureau-of-longitudes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-07</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/bureau-of-longitudes/bureau-volume-i-w47r2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1539711317540-6MVW6HO14ULPB4QQN3S9/bureau+graphic+to+print.jpg</image:loc>
      <image:title>BUREAU OF LONGITUDES - The Bureau of Longitudes: Volume I</image:title>
      <image:caption>▲ Bureau of Longitudes graphic identity by Susana Eslava in collaboration with Ana Maria Montenegro</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/bureau-of-longitudes/2022/2/7/stone-and-flesh-504422574-n-3051882539999997-e</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/e7cea536-03e3-43d5-85f2-0ac58a469066/Jyoti%2BArvey%2BStone%2Band%2BFlesh%2BImage.jpeg</image:loc>
      <image:title>BUREAU OF LONGITUDES - Stone and Flesh - Make it stand out</image:title>
      <image:caption>▲ From Looking for Lenin, Neils Ackermann and Sébastien Gobert (FUEL Publishing, 2017). Photograph by Niels Ack- ermann, taken in Slovyansk, Ukraine, on September 15, 2015.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/bureau-of-longitudes/2022/2/7/crossings-x-use-of-certain-letters-of-the-alphabet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-05</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/bureau-of-longitudes/2022/2/7/searching-for-the-next-intifada-exercises-in-queer-muslim-futurism-3177617-n-3523583-e</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/b49c7c6c-75b3-4ec4-8a86-b0f0c1eda7c2/Zulfi2.png</image:loc>
      <image:title>BUREAU OF LONGITUDES - Searching for the Next Intifada: Exercises in Queer Muslim Futurism - Make it stand out</image:title>
      <image:caption>Still from the music video for Jihadageddon, released 2018. Image courtesy Laylatul Qadr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/abca29fa-5067-4033-80bf-10fa25e1d20d/zulfi5.png</image:loc>
      <image:title>BUREAU OF LONGITUDES - Searching for the Next Intifada: Exercises in Queer Muslim Futurism - Make it stand out</image:title>
      <image:caption>Saba Taj, Interstellar Uber, dimensions variable, Elsewhere Residency, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/737bed88-38c5-4dd6-ab74-adbe7adbe86f/zulfi6.png</image:loc>
      <image:title>BUREAU OF LONGITUDES - Searching for the Next Intifada: Exercises in Queer Muslim Futurism - Make it stand out</image:title>
      <image:caption>Saba Taj, Creatures From the Earth, The Spoils of War, 2016. Spray paint, acrylic paint glitter, ink, gold leaf, rhinestones, graphite on panel, 18 x 24 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/01ba682e-bdb2-45d9-9bfb-f9d93c4bf49c/zulfi8.png</image:loc>
      <image:title>BUREAU OF LONGITUDES - Searching for the Next Intifada: Exercises in Queer Muslim Futurism - Make it stand out</image:title>
      <image:caption>Hushidar Mortezaie, Occupy Me, Topping From the Bottom, SOMArts, from the exhibition The Third Muslim: Queer and Trans* Muslim Narratives of Resistance and Resilience, 2018. Image courtesy of Chani Bockwinkel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/495d9832-db04-492e-8c8e-31beb412845f/Zulfi1.png</image:loc>
      <image:title>BUREAU OF LONGITUDES - Searching for the Next Intifada: Exercises in Queer Muslim Futurism - Make it stand out</image:title>
      <image:caption>Documentation: Jassem Hindi, Future Friend/ships, CounterPulse, San Francisco, 2016. Image courtesy of Robbie Sweeny.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/d7cfe579-6fbb-4f68-9f20-37c1e8f0abd7/zulfi3.png</image:loc>
      <image:title>BUREAU OF LONGITUDES - Searching for the Next Intifada: Exercises in Queer Muslim Futurism - Make it stand out</image:title>
      <image:caption>An image of Buraq from Yusuf and ‘Zulaykha’, a 19th-century Judeo-Persian manuscript, The Library of The Jewish Theological Seminary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/ec374df6-636c-4e73-b52d-72d2e9a71254/zulfi7.png</image:loc>
      <image:title>BUREAU OF LONGITUDES - Searching for the Next Intifada: Exercises in Queer Muslim Futurism - Make it stand out</image:title>
      <image:caption>Hushidar Mortezaie, Occupy Me, Topping From the BotTom, SOMArts, from the exhibition The Third Muslim: Queer and Trans* Muslim Narratives of Resistance and Resilience, 2018. Image courtesy of Chani Bockwinkel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/cd076552-5fc8-4af2-8008-075ddfb43178/Picture1.png</image:loc>
      <image:title>BUREAU OF LONGITUDES - Searching for the Next Intifada: Exercises in Queer Muslim Futurism - Make it stand out</image:title>
      <image:caption>Laylatul Qadr, Devouring Becky, digital collage, 2018. Image courtesy of Laylatul Qadr and The Muslims.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/bureau-of-longitudes/2022/2/3/where-the-sun-casts-no-shadow</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-19</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/bureau-of-longitudes/2022/2/7/liquid-democracy-333587272-s-706977911-w</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-19</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/bureau-of-longitudes/2022/2/7/mar-a-lago-part-one-where-each-day-is-a-holiday-a-photographic-essay-2667694-n-8003694-w</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1644284496459-T74GZMMSL0MKBBYW17TF/Walters_9.jpg</image:loc>
      <image:title>BUREAU OF LONGITUDES - Mar-a-Lago: Where Each Day is a Holiday, a Photographic Essay</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1644284494272-23298EOD98VFZGI8Q7DD/Walters_5.jpg</image:loc>
      <image:title>BUREAU OF LONGITUDES - Mar-a-Lago: Where Each Day is a Holiday, a Photographic Essay</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1644284494234-HVMB2IR5Q6413WAQA563/Walters_8.jpg</image:loc>
      <image:title>BUREAU OF LONGITUDES - Mar-a-Lago: Where Each Day is a Holiday, a Photographic Essay</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1644284544576-DJW53ZVJDTE9Z6GTAYAR/Walters_7.jpg</image:loc>
      <image:title>BUREAU OF LONGITUDES - Mar-a-Lago: Where Each Day is a Holiday, a Photographic Essay</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1644284493331-ZCAN5JMO0VQ48K4DC228/Walters_4.jpg</image:loc>
      <image:title>BUREAU OF LONGITUDES - Mar-a-Lago: Where Each Day is a Holiday, a Photographic Essay</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1644284493801-REAB4FG5UEJQ2YKUSKK6/Walters_6.jpg</image:loc>
      <image:title>BUREAU OF LONGITUDES - Mar-a-Lago: Where Each Day is a Holiday, a Photographic Essay</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/598974f3-4895-4fa9-97cc-a35d2434640f/Walters_1.jpg</image:loc>
      <image:title>BUREAU OF LONGITUDES - Mar-a-Lago: Where Each Day is a Holiday, a Photographic Essay - Make it stand out</image:title>
      <image:caption>Palm Beach coast line, Biltmore Hotel, West Palm Beach, FL. D&amp;M Post Cards &amp; Records Co., postmarked 1970.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/a0a6d2a6-3c77-4180-91e6-02a77633028a/Walters_2.jpg</image:loc>
      <image:title>BUREAU OF LONGITUDES - Mar-a-Lago: Where Each Day is a Holiday, a Photographic Essay - Make it stand out</image:title>
      <image:caption>Ralph Wolfe Cowan, The Visionary, 1989. Cowan is known for shedding years and pounds off his subjects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/4aed424a-70d2-4671-b881-a668d707a1e6/Walters_3.jpg</image:loc>
      <image:title>BUREAU OF LONGITUDES - Mar-a-Lago: Where Each Day is a Holiday, a Photographic Essay - Make it stand out</image:title>
      <image:caption>The portrait has become a tourist attraction since Trump announced his candidacy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/bureau-of-longitudes/tag/Where+the+Sun+Casts+No+Shadow</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/bureau-of-longitudes/tag/Maio+Alvear</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/bureau-of-longitudes/tag/Bureau+of+Longitudes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/features</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-02-14</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-20</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories/2018/2/18/the-fishwives-march</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1520910807466-N27JPUG00YMYO0QLZDPU/8_departureofkingbigger.jpg</image:loc>
      <image:title>PRE/HISTORIES - The Fishwives March! On the Historicization of Women in the French Revolution</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1520910543397-C7KHVBKSVGSCEUCBBDUC/7.jpg</image:loc>
      <image:title>PRE/HISTORIES - The Fishwives March! On the Historicization of Women in the French Revolution</image:title>
      <image:caption>Epoque du 6 octobre 1789, l'après diné, à Versailles : les héroïnes françaises ramènent le roi dans Paris, pour y faire sa principale résidence, S. M. était escortée de la Garde nationale, d'une partie des Gardes du corps, et du Régiment de Flandre, stamp, 9 x 14 cm. Collection Carl de Vinck and Michel Hennin.  Bureau des Revolutions de Paris, [1789]. http://catalogue.bnf.fr/ark:/12148/cb40249176b</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1520913981868-BXCWOUQY970QUZU27RF7/IMG_0042.jpg</image:loc>
      <image:title>PRE/HISTORIES - The Fishwives March! On the Historicization of Women in the French Revolution - Flo Pizzarello, "Won't Somebody Please Think of the Children?," 2018. Ink on Paper, 13 x 17 in.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1520904191876-I15X5NXE6SP0B176WCM5/Women%27s_March_on_Versailles01.jpg</image:loc>
      <image:title>PRE/HISTORIES - The Fishwives March! On the Historicization of Women in the French Revolution - Avant-garde des femmes allant à Versailles : Marche des femmes sur Versailles, 1789, 5 et 6 octobre. Vainguard of women going to Versailles. Source : Bibliotheque Nationale RC-A-10109.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1520904202756-FG0VG5J6BXGYGJRSWQZ3/400113113.jpg</image:loc>
      <image:title>PRE/HISTORIES - The Fishwives March! On the Historicization of Women in the French Revolution - Jean François Jainet (French, 1752 - 1814), Parisian Women March on Versailles (5 October 1789). Print, 5 1/8 x 3 9/16 in. Gift of Patrice Higonnet. Image courtesy of Harvard Art Museums/ Fogg Museum.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1520904232919-DKEP6P8FJVTDYQEHUQ5K/FishwivesofParis.JPG</image:loc>
      <image:title>PRE/HISTORIES - The Fishwives March! On the Historicization of Women in the French Revolution - Pariser Poisarden, Poissardes de Paris, Octobre 1789 (Fishwives of Paris, October 1789), 1789.  German School, (18th century), Engraving, Musee de la Ville de Paris, Musee Carnavalet, Paris, France.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1520904384522-OHPJVOZONFLAFYDYULL5/Emile+Bayard%2C+Young+Cosette+Sweeping%2C+1886.+Engraving+for+Victor+Hugo%E2%80%99s+Les+Miserables.</image:loc>
      <image:title>PRE/HISTORIES - The Fishwives March! On the Historicization of Women in the French Revolution</image:title>
      <image:caption>Emile Bayard, Young Cosette Sweeping, 1886. Engraving for Victor Hugo’s Les Miserables.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1520914500050-KYU8NSVWKZMCXFYBMWVK/liperty+001.jpg</image:loc>
      <image:title>PRE/HISTORIES - The Fishwives March! On the Historicization of Women in the French Revolution - Flo Pizzarello, Liperty Leading the People, 2018. Acrylic on paper, 12 x 12 in.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1520914492648-Z0XS3SNVBSSZ1BDE0TDG/6.jpeg</image:loc>
      <image:title>PRE/HISTORIES - The Fishwives March! On the Historicization of Women in the French Revolution - "PRINT OF THE KING'S BODYGUARD AND THE FLANDERS REGIMENT TRAMPLING THE NATIONAL COCKADE UNDERFOOT." WADDESON MANOR. OCTOBER 1, 1789, 1789. ENGRAVING, 9X14 CM. BUREAU DES REVOLUTIONS DE PARIS (PARIS). </image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories/scattered-light-ephemeral-action-protest-and-circulating-imagery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1518580853127-JXKNWT7V9YYMH0KRVNNE/METALOCUS_Fluids-Kaprow_03_1280%281%29.jpg</image:loc>
      <image:title>PRE/HISTORIES - Scattered Light: Ephemeral Action, Protest, and Circulating Imagery</image:title>
      <image:caption>Allan Kaprow: Fluids, 1967, Getty Research Institute, Los Angeles (980063). from the collection of the Allan Kaprow Estate and Hauser &amp; Wirth. Photo copyright of Julian Wasser.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1518580110200-SJNO2UTCBC18GGRBMF9G/Snowden+hologram+and+sculpture.jpg</image:loc>
      <image:title>PRE/HISTORIES - Scattered Light: Ephemeral Action, Protest, and Circulating Imagery</image:title>
      <image:caption>Left: light projection of the Snowden monument by the Illuminator Art Collective, April 7, 2015. http://theilluminator.org/edward-snowden-hologram/; Right: original sculptural intervention Prison Ship Martyrs Monument 2.0 by Jeff Greenspan, Andrew Tider, and Doyle Trankina, as seen the previous day. https://jeffgreenspan.com/snowden/. Both images accessed publicly on the artists' websites.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1518580523153-9SOO0I4DPOMSIYWX68GM/tumblr_nz7c6hf1cB1v1x5u8o1_1280.jpg</image:loc>
      <image:title>PRE/HISTORIES - Scattered Light: Ephemeral Action, Protest, and Circulating Imagery</image:title>
      <image:caption>Spread from the publication Allan Kaprow: Fluids (Cologne: Walter König, 2007). Book design by P. Hermann and FLAG, Zurich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1518585398230-9VUDVBWHHSVZYYL0VDUK/2416601991_31617a7545_b.jpg</image:loc>
      <image:title>PRE/HISTORIES - Scattered Light: Ephemeral Action, Protest, and Circulating Imagery</image:title>
      <image:caption>Allan Kaprow placing an ice block during the creation of Fluids (1967). Image from the collection of the Los Angeles County Museum of Art. Photo copyright of Dennis Hopper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1518580413822-1TTW6ADFZDVOTK75WHHP/tumblr_nzg5j2luiI1v1x5u8o1_1280.jpg</image:loc>
      <image:title>PRE/HISTORIES - Scattered Light: Ephemeral Action, Protest, and Circulating Imagery</image:title>
      <image:caption>Image from the collection of the Allan Kaprow Estate and Hauser &amp; Wirth. Photo copyright of Julian Wasser.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1518579546365-I5CATLFMCTG7NMUAT1H3/ak_nng_0738.jpg</image:loc>
      <image:title>PRE/HISTORIES - Scattered Light: Ephemeral Action, Protest, and Circulating Imagery</image:title>
      <image:caption>Allan Kaprow, Fluids, as recreated at the Neue Nationalgalerie on September 16, 2015 with support from the Allan Kaprow Estate and Hauser &amp; Wirth. Photo copyright of Thomas Bruns.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1518580496831-Q1YNIG81QBTMSUUG656B/Snowden-statue-nyc-park-taken-down.-Photo-Jewel-Samad-AFPGetty-Images.jpg</image:loc>
      <image:title>PRE/HISTORIES - Scattered Light: Ephemeral Action, Protest, and Circulating Imagery</image:title>
      <image:caption>Prison Ship Martyrs Monument 2.0 being covered with a tarp by New York City Park officers on April 6, 2015.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories/2018/1/24/apathetic-all-male-exhibition-tragically-joins-the-heavenly-angels</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1516846918880-9JBW9NDG3I15SN928JHZ/final+obit+pic_web+version.jpg</image:loc>
      <image:title>PRE/HISTORIES - Apathetic All-Male Exhibition Tragically Joins the Heavenly Angels After Rapid Potato Chip Consumption</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1516847142139-ZLTVMPLEK0P69YQLXED4/moritz-schumacher-260245.jpg</image:loc>
      <image:title>PRE/HISTORIES - Apathetic All-Male Exhibition Tragically Joins the Heavenly Angels After Rapid Potato Chip Consumption</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1516846956188-L1QHH0L7HX6ZJGP9MQZ0/tom-pumford-254867.jpg</image:loc>
      <image:title>PRE/HISTORIES - Apathetic All-Male Exhibition Tragically Joins the Heavenly Angels After Rapid Potato Chip Consumption</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories/2018/1/22/not-our-mascot-judy-chicago-pussyhat-project-and-white-middle-class-feminism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1516679692987-4I1PLFSSVLHF4DXM9HGM/1_d1fRy_lhOxEYDVV5LaJDkg.jpg</image:loc>
      <image:title>PRE/HISTORIES - Not Our Mascot: Judy Chicago, Pussyhat Project™, and White, Middle-Class Feminism</image:title>
      <image:caption>fig 3. 25,000 striking women gathered in Reykjavik for Women’s Day Off. Courtesy of Icelandic Women’s History Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1516677014509-U435BESXIR439LNWDFYP/2007_The_Dinner_Party_DIG_E2007_Dinner_Party_05_PS2_1536x1132-1.jpg</image:loc>
      <image:title>PRE/HISTORIES - Not Our Mascot: Judy Chicago, Pussyhat Project™, and White, Middle-Class Feminism</image:title>
      <image:caption>Fig. I. Judy Chicago,  The Dinner Party, 1974–79. Ceramic, porcelain, textile, 576 × 576 in. (1463 × 1463 cm). Brooklyn Museum, Gift of the Elizabeth A. Sackler Foundation, 2002.10. © Judy Chicago. (Photo: Donald Woodman).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1516680697846-OGD3M5FSXXYZWA33AHLI/Screen+Shot+2018-01-22+at+6.56.40+PM.png</image:loc>
      <image:title>PRE/HISTORIES - Not Our Mascot: Judy Chicago, Pussyhat Project™, and White, Middle-Class Feminism</image:title>
      <image:caption>Fig. 5. Screenshot, Otherwild "the future is female t-shirt," January 22, 2018. Courtesey of the author. https://otherwild.com/products/the-future-is-female-t-shirt?variant=5122173569</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1516680430478-25TRCODJGTYOSWU5BDA5/s2.reutersmedia-1.jpg</image:loc>
      <image:title>PRE/HISTORIES - Not Our Mascot: Judy Chicago, Pussyhat Project™, and White, Middle-Class Feminism</image:title>
      <image:caption>Fig. 4. Molly Cleator (R) takes part in the Pussyhat social media campaign to provide pink hats for protesters in the women's march in Washington, D.C., the day after the presidential inauguration, in Los Angeles, California, U.S., January 13, 2017. REUTERS/Lucy Nicholson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1516680820037-BWJ3UMNYQ9VAH9QK7CG2/image-1.png</image:loc>
      <image:title>PRE/HISTORIES - Not Our Mascot: Judy Chicago, Pussyhat Project™, and White, Middle-Class Feminism</image:title>
      <image:caption>Screenshot "Forever 21 Wild Feminist" courtesy of Refinery 29. Accessed January 22, 2018. http://www.refinery29.com/2017/08/168773/forever-21-wildfang-copy-wild-feminist-shirt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1516678997923-CPCQQPJR7Q8LRK9QO44A/20171019135002-Process02_ROTDP_ThroughTheFlower_10-NeedleworkLoft.jpg</image:loc>
      <image:title>PRE/HISTORIES - Not Our Mascot: Judy Chicago, Pussyhat Project™, and White, Middle-Class Feminism</image:title>
      <image:caption>Fig. 2. Judy Chicago and Others Working in The Dinner Party Needlework Loft, 1978. Courtesy of Through the Flower Archive.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories/category/Interviews</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories/tag/Dissolve+Magazine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories/tag/Edward+Snowden</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories/tag/Fluids</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories/tag/Illuminator+Art+Collective</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories/tag/Christopher+Squier</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories/tag/history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories/tag/Katherine+Vetne</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories/tag/french+revolution</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories/tag/Prison+Ship+Martryrs+Monument+2.0</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/pre-histories/tag/Allan+Kaprow</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-02-14</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/the-demise-of-alice-announcement</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/c64e2fd9-4ec7-4979-89ea-48d45f2a9e0e/Vex_The+Demise+of+Alice_Cover.jpg</image:loc>
      <image:title>HAPPENINGS - The Demise of Alice: A New Book from Dissolve Publishing - Make it stand out</image:title>
      <image:caption>The Demise of Alice (dissolve publishing, 2024); Book cover, photograph by Judd Dunning.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/archiving-myth-and-memory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1673015593041-Q080SI6Y4K9PPJHF9ODO/Image+1_WVZ1570.JPG</image:loc>
      <image:title>HAPPENINGS - Archiving Myth and Memory: Jackie Valle on Carl Heidenreich - Make it stand out</image:title>
      <image:caption>CARL HEIDENREICH, UNTITLED, C. 1958–65. MIXED MEDIA ON JAPANESE PAPER AND HARDBOARD. N.D. COLLECTION OF PATRICIA RECENDEZ. COURTESY OF THE CARL HEIDENREICH FOUNDATION.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/boys-fight-in-print</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/a720180b-90dd-426e-bd8d-288455564921/Boys+Fight_image+05.jpeg</image:loc>
      <image:title>HAPPENINGS - Boys Fight, available now from Winter Editions - Make it stand out</image:title>
      <image:caption>DETAIL OF THE RISO AND LETTERPRESS COVER TO BOYS FIGHT.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/masquerading-pavilions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/045b4ace-60c2-4038-ae4e-6a4b2bd28b0a/Lara+framed+sm.jpg</image:loc>
      <image:title>HAPPENINGS - Masquerading Pavilions and Asafo Flags: Na Chainkua Reindorf and Simone Leigh - Make it stand out</image:title>
      <image:caption>Na Chainkua Reindorf, Lara: Mind Your Own, 2021–22. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/where-the-anthropocene-turns-obscure</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/5fafb5e9-d4f6-47bd-9475-c6fcffc4cb3a/01232023_MichelGerard_104.jpg</image:loc>
      <image:title>HAPPENINGS - Where the Anthropocene turns obscure, an essay by Christopher Squier - Make it stand out</image:title>
      <image:caption>MICHEL GÉRARD, OURANOS, 1988. INSTALLATION WITH COAL. INSTALLATION VIEW IN ALBI, FRANCE.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/covid-19-and-immersive-installation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1673732108595-6IB1QS2X4XY2C5G7F1OD/140723-MCA_Annette_Messager-0981+%281%29.jpg</image:loc>
      <image:title>HAPPENINGS - COVID-19 and Immersive Installation: Annette Messager’s “Penetrables” by Kathryn Barulich - Make it stand out</image:title>
      <image:caption>ANNETTE MESSAGER, PENETRATION (PÉNÉTRATION), 1992-94. SCULPTURES, INSTALLATION, COTTON STUFFED WITH POLYESTER, ANGORA WOOL, NYLON, ELECTRIC LIGHTS. INSTALLATION (VARIABLE: 500 H X 500 W X 1100 CM). NATIONAL GALLERY OF AUSTRALIA, APRIL 1996.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/dissolve-patreon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-09</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/boys-fight</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/87350026-d412-453b-bf8c-abf3e581cd09/Boys+Fight+cover+image.jpg</image:loc>
      <image:title>HAPPENINGS - "Boys Fight," a poem by Marina Tëmkina with images by Michel Gérard - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/ojo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/e040c650-2ecc-4325-8ef7-5b237d99aa1f/Women%27s_March_on_Versailles01.jpeg</image:loc>
      <image:title>HAPPENINGS - ¡Ojo! An Update from Dissolve - Make it stand out</image:title>
      <image:caption>Avant-garde des Femmes Allant à Versailles : Marches des Femmes sur Versailles, 1789, 5 et 6 octobre. Vanguard of women going to Versailles. Source: Bibliothèque Nationale RC-A-10109. Image courtesy of ‘the internet.’</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2022/5/17/update-from-the-editors</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/6a48bd82-c522-4ed1-a78c-e2a3092db260/Jyoti%2BArvey%2BStone%2Band%2BFlesh%2BImage.jpeg</image:loc>
      <image:title>HAPPENINGS - Update from the Editors - Make it stand out</image:title>
      <image:caption>IMAGE FROM STONE &amp; FLESH BY JYOTI ARVEY, ORIGINALLY PUBLISHED IN LOOKING FOR LENIN, NEILS ACKERMANN AND SÉBASTIEN GOBERT (FUEL PUBLISHING, 2017). PHOTOGRAPH BY NIELS ACKERMANN, TAKEN IN SLOVYANSK, UKRAINE, ON SEPTEMBER 15, 2015.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2022/2/22/the-bureau-of-longitudes-restored</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/925c1e3a-072e-4f01-b861-c0b7d6fbca0d/Bur-1.jpg</image:loc>
      <image:title>HAPPENINGS - The Bureau of Longitudes Restored - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2018/12/31/announcement-final-dissolution-amp-prompt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/8aba24fe-d88e-4ddf-85ef-210744b35ca9/carissa+rodriguez+20160517-_MG_9837.jpeg</image:loc>
      <image:title>HAPPENINGS - Announcement: Final Dissolution &amp;amp; Prompt - Make it stand out</image:title>
      <image:caption>Carissa rodriguez, I’m normal. I have a garden. I’m a person. at front desk apparatus.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2022/5/17/launch-of-issue-6-prehistories-of-protest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/6721c740-18c0-4b68-85f1-b332d974839a/FishwivesofParis.jpeg</image:loc>
      <image:title>HAPPENINGS - Launch of Issue 6: Pre/histories of Protest - Make it stand out</image:title>
      <image:caption>Pariser Poisarden, Poissardes de Paris, Octobre 1789 (Fishwives of Paris, October 1789), 1789. German School, (18th century), Engraving, Musee de la Ville de Paris, Musee Carnavalet, Paris, France.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2018/1/16/the-bureau-of-longitudes-call-for-submissions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/44e63e47-7800-4211-97dc-a96a1078eaa0/Mona+hatoum.jpg</image:loc>
      <image:title>HAPPENINGS - The Bureau of Longitudes: Call for Submissions - Make it stand out</image:title>
      <image:caption>Mona Hatoum, Hot Spot, 2006, stainless steel and neon tube.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/ce7df081-6de9-4451-a3a9-fc666dc8e1ea/bureau%2Bgraphic%2Bto%2Bprint.jpeg</image:loc>
      <image:title>HAPPENINGS - The Bureau of Longitudes: Call for Submissions - Make it stand out</image:title>
      <image:caption>Bureau of Longitudes graphic identity by Susana Eslava.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2022/2/8/missive-from-mexico-city-dissolve-at-the-else-foundation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/a7df6a9c-7ee8-48d3-9a49-1b8c751696fc/3ea79cad-f22f-49d8-9661-5c146c0582f2.jpg</image:loc>
      <image:title>HAPPENINGS - Missive from Mexico City: Dissolve at the ELSE Foundation - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/f1f97a50-d160-4d9d-8b14-05e22fd24615/ce9cfbb5-11d6-4f4f-8e80-742a27aec9ef.jpg</image:loc>
      <image:title>HAPPENINGS - Missive from Mexico City: Dissolve at the ELSE Foundation - Make it stand out</image:title>
      <image:caption>Christopher Squier presents at the ELSE Foundation. On the screen, Shirin Abedinirad and Dionne Lee’s video project Before Getting on With the World Again.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2022/2/8/announcement-dissolve-to-participate-in-else-foundation-symposium-mexico-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/3e52d3f6-857c-4072-b4fe-dd9d28511494/Screen+Shot+2022-02-08+at+10.55.05+AM.png</image:loc>
      <image:title>HAPPENINGS - Announcement: Dissolve to participate in ELSE Foundation Symposium, Mexico City - Make it stand out</image:title>
      <image:caption>Emilio Chapela, Gran Telescopio Milimétrico Alfonso Serrano, 2017.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2022/2/8/call-for-submissions-reflections-on-the-womens-march</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/af122b53-0693-45f5-a7a5-1b341617dbff/unnamed.jpg</image:loc>
      <image:title>HAPPENINGS - Reflections on the Women's March: Call for Submissions - Make it stand out</image:title>
      <image:caption>Gudetama is a cartoon character produced by the Japanese company Sanrio. The name Gudetama is formed from two parts: the first is the ideophone gudegude which is used to evoke the impression of something lazy and lacking energy. The second part is from the Japanese word tamago which means egg.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2017/12/7/call-and-respond-sil-vous-plat</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/ccef9316-ed28-4297-8d59-cd1093b5d3de/AndyWarhol_Untitled_c1985.jpeg</image:loc>
      <image:title>HAPPENINGS - Call and Respond (S'il Vous Plaît) - Make it stand out</image:title>
      <image:caption>ANDY WARHOL, UNTITLED, CA. 1985, GELATIN SILVER PRINT, 10 X 7.93", SFMOMA, COLLECTION OF THE SACK PHOTOGRAPHIC TRUST, © THE ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS / ARTISTS RIGHTS SOCIETY (ARS), NEW YORK, HTTPS://WWW.SFMOMA.ORG/ARTWORK/ST2008.018.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2022/2/8/issue-5-mapping-the-unmappable-mapeando-lo-intrazable</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/82fcb9b9-100e-4c20-aaf9-1a7baee829ed/unnamed.png</image:loc>
      <image:title>HAPPENINGS - Issue 5: Mapping the Unmappable / Mapeando lo intrazable - Make it stand out</image:title>
      <image:caption>Paula Morales, still from video for Issue 5: Cartographies in Translation, 2017.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2017/8/7/dissolve-birthday-bash</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1502148422450-4NXI8P03JAX16MOA3071/image-asset.jpeg</image:loc>
      <image:title>HAPPENINGS - Dissolve Birthday Bash</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2022/2/8/issue-5-call-for-submissions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/e8865820-4fb8-4800-b69d-fe4d27f92c58/unnamed+%282%29.jpg</image:loc>
      <image:title>HAPPENINGS - Issue 5: Call for Submissions - Make it stand out</image:title>
      <image:caption>Alfredo Jaar, A Logo for America, 1998/2014, billboard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2022/2/8/issue-4-read-the-screen-fte</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/3e93153b-9036-4d33-9c42-34f642a9b63a/unnamed+%281%29.jpg</image:loc>
      <image:title>HAPPENINGS - Issue 4: 'Read the Screen' Fête - Make it stand out</image:title>
      <image:caption>Simón García-Miñaúr, Video still: Cover Issue 4: The Screen, Dissolve Magazine, May 2017.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2017/4/4/dissolve-yourself-further</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2017/2/26/dissolve-issue-3-launch-celebration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1488155828838-2A1816DE8SPCYE71BZGG/Copy+of+Dissolve+party.JPG</image:loc>
      <image:title>HAPPENINGS - Dissolve: Issue 3 Launch Celebration</image:title>
      <image:caption>Contributors and guests at the Dissolve Issue 3 event, "So Touchy," at the San Francisco Art Institute, Walter and McBean Galleries, February 28, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1488155831604-4M4Z0IF7QD7T63LCL7QM/Copy+of+DSC_0155.JPG</image:loc>
      <image:title>HAPPENINGS - Dissolve: Issue 3 Launch Celebration</image:title>
      <image:caption>Dissolv-ers enjoy refreshments, merriment, and literature at the Dissolve Issue 3 event, "So Touchy," at the San Francisco Art Institute, Walter and McBean Galleries, February 28, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1488155844026-A6ULXCODJOO0M202SYBY/Copy+of+DSC_0160.JPG</image:loc>
      <image:title>HAPPENINGS - Dissolve: Issue 3 Launch Celebration</image:title>
      <image:caption>Christopher Squier moderates an informal discussion "Revealing Touch: Conversations on Haptics and Art" with Dissolve Issue 3: Touch contributors at the San Francisco Art Institute Walter and McBean Galleries, February 28, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1489356489833-9BODCO99O027QTZB9LRY/image-asset.jpeg</image:loc>
      <image:title>HAPPENINGS - Dissolve: Issue 3 Launch Celebration</image:title>
      <image:caption>Christopher Squier moderates an informal discussion "Revealing Touch: Conversations on Haptics and Art" with Dissolve Issue 3: Touch contributors at the San Francisco Art Institute Walter and McBean Galleries, February 28, 2017.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2017/2/22/issue-4-call-for-submissions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1487802073274-YNYL5SWGX8KKS32WCH2K/image-asset.jpeg</image:loc>
      <image:title>HAPPENINGS - Issue 4: Call for Submissions</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2022/2/8/issue-3-call-for-submissions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/e94b79ce-69dc-4588-b4e1-a6ae0ef8cb5c/Haus_D+Ireland.jpeg</image:loc>
      <image:title>HAPPENINGS - Issue 3: Call for Submissions - Make it stand out</image:title>
      <image:caption>David Ireland, Broom Collection with Boom, 1978-1988, Collection of the San Francisco Museum of Modern Art; Photo credit: Henrik Kam.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2016/11/27/dissolve-issue-2-party</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1481594938188-6YK2K3UAPU0JB7CAEVZ8/image-asset.jpeg</image:loc>
      <image:title>HAPPENINGS - Dissolve Issue 2 Party</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/2016/9/7/dissolve-fall-updates</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1474767600763-UJU6543BPV2GLOHVTOG3/576cfc01-b285-4e53-a7fa-deca19fda4f1.jpg</image:loc>
      <image:title>HAPPENINGS - Dissolve Fall Updates: Issue 2 Prompt, Workshop, and Calendar</image:title>
      <image:caption>Dissolvers and R/SF, Adobe Books and Arts Cooperative, August 13, 2016. Photographs by Zulfikar Ali Bhutto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1474767639935-X7KEUP4HDXIM424HCGQS/image-asset.jpeg</image:loc>
      <image:title>HAPPENINGS - Dissolve Fall Updates: Issue 2 Prompt, Workshop, and Calendar</image:title>
      <image:caption>DISSOLVE Launch Party, Adobe Books and Arts Cooperative, August 13, 2016. Photographs by Zulfikar Ali Bhutto.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/category/DISSOLVE+Updates</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/tag/Trace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/tag/Issue+4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/tag/The+Screen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/tag/Christopher+Squier</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/tag/Dissolve+Prompt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/tag/Kathryn+Barulich</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/news/tag/Dissolve+Events</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/cover</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1495560813705-9TXDBZDOW4YFBPEEI57S/garciaminaur01.jpeg</image:loc>
      <image:title>DISSOLVE MAGAZINE</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1479844186984-TT8F6W17IGRBQZN565P4/blue.gif</image:loc>
      <image:title>DISSOLVE</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/about</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2022-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/6b90cc1c-2f42-4012-9ac3-161caba61b05/dissolve%2Bmanifesto600dpi.png</image:loc>
      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/past-issues</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-20</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/submitform</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-03-15</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/calendar-submission</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1471214473835-80EZUQBORI05JEIGHTVH/Screen+Shot+2016-08-14+at+3.39.24+PM.png</image:loc>
      <image:title>Calendar Submission</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/projects-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-10-22</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/echo-chamber</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-01-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1515796481355-IBPD7KMAG4W0Q5U7F7L8/IMG_9613.jpg</image:loc>
      <image:title>Echo Chamber</image:title>
      <image:caption>Rufino tamayo, retrato conjugal, 1981. Oil on canvas, 95 x 130.1 cm. Collection: museo tamayo, mexico city. image: christopher squier. Image posted january 11, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1512408012659-RMJV11FBLDN3QD36AKZA/AndyWarhol_Untitled_c1985.jpg</image:loc>
      <image:title>Echo Chamber</image:title>
      <image:caption>ANDY WARHOL, UNTITLED, CA. 1985, GELATIN SILVER PRINT, 10 X 7.93", SFMOMA, COLLECTION OF THE SACK PHOTOGRAPHIC TRUST, © THE ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS / ARTISTS RIGHTS SOCIETY (ARS), NEW YORK, HTTPS://WWW.SFMOMA.ORG/ARTWORK/ST2008.018. posted 5 December 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/1513305528092-LVM17T2RMPBMBT0QB7ZS/Screen+Shot+2017-12-14+at+6.35.21+PM.png</image:loc>
      <image:title>Echo Chamber</image:title>
      <image:caption>Christie’s unveils Leonardo da Vinci’s Salvator Mundi [pictured] on October 10, 2017 in New York City. Photo by Ilya S. Savenok/Getty Images for Christie’s Auction House, SOURCED FROM ARTNET NEWS. POSTED 14 DECEMBER 2017.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/prompts</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-07-25</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/bios</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/bfb4cb55-411e-4f5f-bed5-5ec44b6a481a/Screen+Shot+2022-02-03+at+3.25.24+PM.png</image:loc>
      <image:title>Bios - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/b6acd21d-b032-4e6a-8ee6-0fc0b94761a0/Kathryn+Barulich+bio.jpeg</image:loc>
      <image:title>Bios - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56fc1937c6fc08ffa7bc857a/5d4fd065-7f52-41b7-af84-66464306c935/ChristopherS+%2828+of+62%29_square.jpg</image:loc>
      <image:title>Bios - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/offerings</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-05</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/writing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-20</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/happenings</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-08</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-07</lastmod>
  </url>
  <url>
    <loc>http://www.dissolvesf.org/interviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-07</lastmod>
  </url>
</urlset>

