Call and Respond (S'il Vous Plaît)
We are accepting on a rolling basis written and visual responses to posted image(s) on the homepage. A rotating selection of Call and R(SVP) images will be posted periodically. All previous calls will be accessible in our archive of visual prompts, the Echo Chamber. Responses may engage with art history and theory, visual culture, current events, or any variety of other disciplines.
Email email@example.com to submit, or if you would like more information. Max 1500 words.
Reflections on the Women's March
We are compiling a collection of essays reflecting on the women's march of January 2017, touching on the march's strategies of dissent and identity formation/identification that emerged, including approaches to and awareness of gendered culture, both nationally and locally, within the art world and at its margins. If you are interested in contributing an essay, please submit a proposal of no more than 500 words to firstname.lastname@example.org by December 18.
Essays will be published on the one-year anniversary of the march.
The Bureau of Longitudes
The Bureau of Longitudes is a new office of Dissolve: a site for archiving accounts of place in various languages, organized by each topic’s degrees of longitude. Working with editors based in San Francisco and Mexico City, the Bureau is interested in alternative approaches to cartography and place-making (i.e. affective, nonvisual, Marxist, feminist, queer). In this cyclical ‘catalogue’ of the globe’s east-west divisions, contributions may address the absurdist logic of globally-organized space; the dissonance of time zone-based distinctions; materiality and (im)permanence in landscapes and other spaces; and the quixotic and overlapping modalities through which we see, understand, and experience the imaginaries of place, from its fantasies to its realities. The Bureau is developing an online archive to support the findings of the project. This site will itself become a collective experience.
The Bureau of Longitudes is an administrative office of Dissolve Magazine, supporting its endeavors in the field of cartographic imaginations. Its terrain is being imagined by editors Susana Eslava, Carolina Magis Weinberg, and Christopher Squier and reopens the case for investigations of cartography taken up by Dissolve’s August 2017 project, Mapping the Unmappable/Mapeando lo Intrazable.
Contributions may take various forms, including the video essay, visual essay, and written essay. Submissions should include a brief description of no more than 500 words, which addresses the contribution’s intended format, topic, and systematic approach. At the current time, there is no stipend for contributions.
Video samples will be accepted in Vimeo and Youtube links. Writing samples can be submitted as Word documents or through Google Drive. If you have an idea that falls outside these parameters, please describe in detail or start a conversation with us. In general, we discourage finished work in the initial proposal and enjoy developing ideas in conversation with you. However, if a particular past work seems to fit the project, we would love the chance to review it. Please include a brief description of how the piece addresses the project’s questions or investigations and if you are willing to adapt it. Submissions for the first phase of the project will be accepted at email@example.com through Sunday, January 14.